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Shakespeare Adaptations from the Early Eighteenth Century

Five Plays

Edited by Kristine Johanson

This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments.
The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes,
Shakespeare Adaptationssupplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.

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University Press Copublishing Division / Fairleigh Dickinson University Press
Pages: 474 • Trim: 6¼ x 9¼
978-1-61147-647-7 • Hardback • December 2013 • $162.00 • (£125.00)
978-1-61147-460-2 • eBook • December 2013 • $153.50 • (£119.00)
Subjects: Literary Criticism / Shakespeare, Literary Criticism / Drama, Literary Criticism / European / English, Irish, Scottish, Welsh
Kristine Johanson is assistant professorof English Renaissance literature and culture at the University of Amsterdam.
List of Illustrations
List of Abbreviations
Preface
Introduction
Neoclassicism, Eighteenth-Century Drama, and the Making of Shakespeare
The London Stage, 1714–1725
The Theatre Season
Dramatic Production and the Changing Space of the Theatres
The Theatre Royal Drury Lane
Lincoln’s Inn Fields
Theatre Royal Haymarket–The King’s Theatre
The Little Theatre at Haymarket
The Political Context of the Theater: Crisis and Stability, 1714–1725
The Hanoverian Succession and the 1715 Jacobite Rising
The South Sea Crisis
The Atterbury Plot
Women in and of the Adaptations
The Adaptations
Note on the Texts
The Invader of his Country, or The Fatal Resentment
The Tragedy ofKing Richard II
Humfrey, Duke of Gloucester
An Historical Tragedy of the Civil Wars in the Reign of King Henry VI
Henry V, or The Invasion of France by the English
Explanatory Notes
Bibliography
Index
About the Editor
Johanson’s collection is an early step in revising classroom practices; it helps us broaden our view, better placing monumental figures like Garrick within a greater framework.
— The Eighteenth-Century Intelligencer


Shakespeare Adaptations from the Early Eighteenth Century

Five Plays

Cover Image
Hardback
eBook
Summary
Summary
  • This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments.
    The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes,
    Shakespeare Adaptationssupplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.

Details
Details
  • University Press Copublishing Division / Fairleigh Dickinson University Press
    Pages: 474 • Trim: 6¼ x 9¼
    978-1-61147-647-7 • Hardback • December 2013 • $162.00 • (£125.00)
    978-1-61147-460-2 • eBook • December 2013 • $153.50 • (£119.00)
    Subjects: Literary Criticism / Shakespeare, Literary Criticism / Drama, Literary Criticism / European / English, Irish, Scottish, Welsh
Author
Author
  • Kristine Johanson is assistant professorof English Renaissance literature and culture at the University of Amsterdam.
Table of Contents
Table of Contents
  • List of Illustrations
    List of Abbreviations
    Preface
    Introduction
    Neoclassicism, Eighteenth-Century Drama, and the Making of Shakespeare
    The London Stage, 1714–1725
    The Theatre Season
    Dramatic Production and the Changing Space of the Theatres
    The Theatre Royal Drury Lane
    Lincoln’s Inn Fields
    Theatre Royal Haymarket–The King’s Theatre
    The Little Theatre at Haymarket
    The Political Context of the Theater: Crisis and Stability, 1714–1725
    The Hanoverian Succession and the 1715 Jacobite Rising
    The South Sea Crisis
    The Atterbury Plot
    Women in and of the Adaptations
    The Adaptations
    Note on the Texts
    The Invader of his Country, or The Fatal Resentment
    The Tragedy ofKing Richard II
    Humfrey, Duke of Gloucester
    An Historical Tragedy of the Civil Wars in the Reign of King Henry VI
    Henry V, or The Invasion of France by the English
    Explanatory Notes
    Bibliography
    Index
    About the Editor
Reviews
Reviews
  • Johanson’s collection is an early step in revising classroom practices; it helps us broaden our view, better placing monumental figures like Garrick within a greater framework.
    — The Eighteenth-Century Intelligencer


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