University Press Copublishing Division / Fairleigh Dickinson University Press
Pages: 176
Trim: 6 x 9
978-1-61147-562-3 • Hardback • August 2012 • $100.00 • (£77.00)
978-1-61147-563-0 • eBook • August 2012 • $95.00 • (£73.00)
Heather L. Braunis an assistant professor of English at Macon State College in Georgia. She received her Ph.D. in English from Boston College, her M.A. from Claremont University, and her B.A. from Lafayette College.
Contents
Introduction: Literary Form and the Nineteenth-Century Femme Fatal
Chapter 1: The Gothic Ballad and the Supernatural Femme Fatal
Chapter 2: The Realist Novel and the Romanticized Femme Fatal
Chapter 3: From Sensation Novel to Vampire Tale: The Erotic Femme Fatal
Chapter 4: Decsdence, Self-Awareness, and the Decline of the Femme Fatal
Conclusion: Reprising the Femme Fatal
Heather Braun opens her book-length study of the femme fatale in British literature by observing that this figure is 'at once everywhere yet difficult to pin down.' Braun's focus on the 'varying effects of literary form on ideological construction of the femme fatale'—for instance, her argument about the way in which the interplay between the ballad form and other-worldly enchantresses exposes and constructs romantic thinking about ideals of femininity and the fatality of desire—is certainly refreshing.
— English Literature In Transition 1880-1920