University Press Copublishing Division / Fairleigh Dickinson University Press
Pages: 126
Trim: 6 x 9
978-1-61147-014-7 • Hardback • October 2011 • $84.00 • (£65.00)
978-1-61147-015-4 • eBook • April 2011 • $79.50 • (£61.00)
Frank Occhiogrosso is professor in the English department at Drew University.
Chapter 1 Acknowledgements
Chapter 2 Introduction
Part 3 Part 1: Close Readings of the Written Text
Chapter 4 A Special Meaning of "Within"
Chapter 5 "Music Plays and They Dance": A Close Reading of Romeo and Juliet, 1.5
Chapter 6 "Post-alone": a Missing Word and the Limits of Biography
Chapter 7 Shakespeare's Secret Language, with specimens from a commentary
Chapter 8 Close Reading, Illustration, and Productive Ambivalence
Chapter 9 A Dramatic Function of Caliban's "Be not afeared" Speech in The Tempest
Chapter 10 "Mention my name in Verona": is Cassio Florentine?
Part 11 Part II: Close Reading of Performance
Chapter 12 Close Enough Readings? Or Trying to Ascribe the Actor's Part in Analyzing Performance Texts
Chapter 13 Reading Morocco: Four Film Versions of The Merchant of Venice
Chapter 14 Red Button Shakespeare
Chapter 15 Can We/Should We Close Read Performance?
Chapter 16 List of Contributors
Chapter 17 Index