Hardback

eBook

Add to GoodReads

The Wife of Bath in Afterlife

Ballads to Blake

Betsy Bowden

By focusing on one literary character, as interpreted in both verbal art and visual art at a point midway in time between the author’s era and our own, this study applies methodology appropriate for overcoming limitations posed by historical periodization and by isolation among academic specialities. Current trends in Chaucer scholarship call for diachronic afterlife studies like this one, sometimes termed “medievalism.” So far, however, nearly all such work by-passes the eighteenth century (here designated 1660-1810). Furthermore, medieval authors’ afterlives during any time period have not been analyzed by way of the multiple fields of specialization integrated into this study. The Wife of Bath is regarded through the disciplinary lenses of eighteenth-century literature, visual art, print marketing, education, folklore, music, equitation, and especially theater both in London and on the Continent.

University Press Copublishing Division / Lehigh University Press

Pages: 416 • Trim: 6¼ x 9⅜

978-1-61146-243-2 • Hardback • October 2017 • $147.00 • (£113.00)

978-1-61146-244-9 • eBook • October 2017 • $139.50 • (£108.00)

Series: Studies in Text & Print Culture

Subjects: Literary Criticism / Books & Reading, Literary Criticism / Medieval, Literary Criticism / Modern / 18th Century

The Wife of Bath in Afterlife

Ballads to Blake

Hardback

eBook

Summary

By focusing on one literary character, as interpreted in both verbal art and visual art at a point midway in time between the author’s era and our own, this study applies methodology appropriate for overcoming limitations posed by historical periodization and by isolation among academic specialities. Current trends in Chaucer scholarship call for diachronic afterlife studies like this one, sometimes termed “medievalism.” So far, however, nearly all such work by-passes the eighteenth century (here designated 1660-1810). Furthermore, medieval authors’ afterlives during any time period have not been analyzed by way of the multiple fields of specialization integrated into this study. The Wife of Bath is regarded through the disciplinary lenses of eighteenth-century literature, visual art, print marketing, education, folklore, music, equitation, and especially theater both in London and on the Continent.

Details

University Press Copublishing Division / Lehigh University Press

Pages: 416 • Trim: 6¼ x 9⅜

978-1-61146-243-2 • Hardback • October 2017 • $147.00 • (£113.00)

978-1-61146-244-9 • eBook • October 2017 • $139.50 • (£108.00)

Series: Studies in Text & Print Culture

Subjects: Literary Criticism / Books & Reading, Literary Criticism / Medieval, Literary Criticism / Modern / 18th Century

Author

Betsy Bowden is professor emerita of English at Rutgers University.

Table of Contents

List of Abbreviations
List of Illustrations
Introduction. Overview: The Wife of Bath Midway in Time between Chaucer and
Ourselves
Chapter 1: Ballads: Versions and Variants of The Wanton Wife of Bath (ca. 1600-ca.
1850)
Chapter 2: Scholarship: The Wife of Bath in Editions and Anthologies (1598-1778)
Chapter 3: Commentary: Quasi-Pedagogical Musings on the Wife of Bath, by Richard Brathwait (1665)
Chapter 4: Modernizations: The Wife of Bath Paraphrased by Three Poets (1700-1750)
Chapter 5: Plays: The Wife of Bath by John Gay (1713, Revised 1730)
Chapter 6: Plays: The Wife in the Wings of Two Comedies, by Elizabeth Cooper (1735) and David Garrick (1773)
Chapter 7: Translations: Le Conte de la Femme de Bath Paraphrased by Voltaire (1763) and Others on the Continent
Chapter 8: Book Illustrations: The Wife Alone on Horseback, by an Artist Otherwise Unknown (1721)
Chapter 9: Picture Series: The Wife Alone on Foot, by James Jefferys (1781)
Chapter 10: Book Illustrations: Scenes from the Wife of Bath’s Tale, by Four Artists (1751-1806)
Chapter 11: Paintings: The Wife of Bath’s Tale by Henry Fuseli (ca. 1810), and a
Chaucerian Subject by Angelica Kauffman (ca. 1772)
Chapter 12: Book Illustrations: The Wife among Pilgrims Riding toward Canterbury, by
Three Artists (1721-1795)
Chapter 13: Book Illustrations, then a Painting: Chaucer Himself Succumbing to the
Wife’s Chatty Charm, by Thomas Stothard (1782-1806)
Chapter 14: Audiovisual Oneness: The Wife of Bath by William Blake (1809)
Conclusion: Undertones: The Wife of Bath neither Over nor Out
Appendices, prepared by Mary-Jo Arn
Appendix A. Three Variants of The Wanton Wife of Bath
Appendix A1: Shorter Variant
Appendix A2: Longer Variant
Appendix A3: Dutch Text and Translation of Shorter Variant
Appendix B. Two French Translations of Dryden’s Wife of Bath Her Tale
Appendix B1: Anonymous Translation of 1757
Appendix B2: Anonymous Translation of 1764
Works Cited by Short Title
I. Primary Works by Individuals
II. Commentary and Contexts
III. Anthologies and Reference Works
Index
About the Author

Reviews

The Wife of Bath in Afterlife is a forensic examination of one character in one period. However, Bowden delves into each case study so expansively that at the end of reading the book, the reader has been immersed in many different eighteenth-century cultural worlds. This is an immensely learned and valuable book that dares to be different and, as a result, breaks new ground.

— Speculum: A Journal of Medieval Studies

Providing a stunning survey of the Wife of Bath's afterlife in the long eighteenth century, Betsy Bowden offers nuanced readings of translations, modernizations, stage plays, book illustrations, and artistic representations. This is an important contribution to Chaucer's reception history, attesting to the centrality of the Wife of Bath in the poet's continuing canonicity.
— Kathleen Forni, Professor of English, Loyola University

The Wife of Bath in Afterlife

Ballads to Blake

Betsy Bowden

The Wife of Bath in Afterlife

Ballads to Blake

ALSO AVAILABLE