Ivan R. Dee
Pages: 288
Trim: 7 x 9¼
978-1-56663-577-6 • Hardback • July 2004 • $26.00 • (£19.99)
Howard Rosenberg was the Los Angeles Times's TV critic for twenty-five years before his retirement in 2003. He won the Pulitzer Prize and two National Headliner awards for his commentary and reporting; his writing has also appeared in a great many magazines. Mr. Rosenberg now teaches news ethics in the Annenberg School and criticism in the film-television school at the University of Southern California. He lives in Agoura Hills, California, near Los Angeles.
Part 1 Preface xiii
Part 2 I. NEWS ON A HIGH WIRE: CLOWNS WITHOUT SAFETY NETS
Chapter 3 Team Coverage of Breaking News 9
Chapter 4 Poor Richard's Almanac of Horrors 12
Chapter 5 Obsession, Not Proportion, Drives Television News 16
Chapter 6 Her Nose Makes News 19
Chapter 7 Private Lives and Prying Public 23
Chapter 8 First Amendment, Shmendment 26
Chapter 9 When Ride-alongs Take the Public for a Ride 29
Chapter 10 Foreign News? It's All Alien to the Networks 32
Chapter 11 Let's Hear it (Again) for Old Glory 36
Chapter 12 A Lox Named Fox 39
Chapter 13 If You're Not for Yourself, Who Will Be For You? 43
Chapter 14 The Blurred Lines of Today's "Reality" 46
Chapter 15 Celebrating Ficition as Fact 49
Chapter 16 Paul Goes Home 53
Chapter 17 Propping Up the Berlin Wall 56
Chapter 18 Out of the Anchor Chair, Into the Fray 60
Chapter 19 The Russian Roulette of Live News Coverage 64
Chapter 20 To Air is Human, Especially When It's Live 68
Chapter 21 Live From Iraq, Ready or Not 71
Chapter 22 Publicity, They Name is Schwarzenegger 74
Chapter 23 The Day the World Shattered 77
Part 24 II. TRASH, YOU ROCK. . . SOMETIMES
Chapter 25 Ratinng on Bill Was Her Duty 83
Chapter 26 Wanna Confess? Call Montel 86
Chapter 27 How Was Poor Jenny to Know He Was a Ticking Time Bomb? 90
Chapter 28 Communing With Nature by Destroying It 94
Chapter 29 Transgressing All the Way to the Bank 98
Chapter 30 The Art of Rebounding 101
Chapter 31 When Crummy Acting and Writing Equal Fun 105
Chapter 32 In "Ark," Noah Plays Friars Club 109
Chapter 33 A Tale of Two Miniseries 113
Chapter 34 The Face That Launched a Thousand Cliches 116
Part 35 III. THE POLS, PREZ, PROPS OF WAR, AND OTHER PHENOMENA: READY FOR THEIR CLOSE-UPS?
Chapter 36 Infomercials Disguised as Conventions 127
Chapter 37 Judging Political Parties by Their Stagecraft 131
Chapter 38 And Now, For My Next Rehearsed Ad Lib. . . 135
Chapter 39 Do Great Moves Make Great Presidents? 138
Chapter 40 When His Presence is the Message 142
Chapter 41 Our President: Man or Mannequin? 145
Chapter 42 Bush's Image Fails to Fill the Screen 148
Chapter 43 When No News is Big News 151
Chapter 44 White Meat or Dark? 155
Chapter 45 D-Day and the resonance of War. . .Now and Then 158
Chapter 46 Looking to the Past to See the Present 162
Chapter 47 A New War, but the Same Old Tube 166
Chapter 48 War as a Sales Tool 170
Chapter 49 Seeking Symbolic Moments in the Tides of History 174
Chapter 50 Talking the Talk Before Taking the Walk 177
Chapter 51 Ultimate Reality 181
Chapter 52 Timothy MecVeigh: The Closed Circuit 185
Chapter 53 Let's Bring Camera's to Death's Door 188
Chapter 54 O.J. on Trial 191
Chapter 55 The Year of Simpson 194
Chapter 56 The Case for Cameras in Courtrooms 198
Chapter 57 Give bin Laden His (Televised) Day in Court 201
Chapter 58 One Picture Can Be Worth a Thousand Clips 205
Chapter 59 The Death of Challenger Recalled 209
Chapter 60 Columbia Freeze Frame 213
Chapter 61 High Noon in Television's High Court 216
Chapter 62 TV Keeps the Dreams—and Dross—Alive 220
Part 63 IV. BURYING THE HYPE: TRUE HEROES AND DEITIES UNMASKED
Chapter 64 Big Man, Big Laughs, Big Legacy 227
Chapter 65 Excellence, from "Marty" to the Mafia 231
Chapter 66 I Confess! I Did Watch Perry Mason! 234
Chapter 67 A Toast for Kuralt and One for the Road 238
Chapter 68 Contemplating Cosell 242
Chapter 69 The Life of a National Hero Has Its Perils 246
Chapter 70 A "Masterpiece Theatre" of Pomp and Puff 250
Chapter 71 When the Coverage Is as Senseless as the Tragedy 253
Part 72 Index 257
He wants nothing less than for all of us to become TV critics.
— Virginian-Pilot
…Rosenberg plumbs the depths of the sewer with grim levity, wryly chronicling the highlights of the mediocre…. He really shines…
— Booklist
...Rosenberg…explores…the still too infrequent peaks of TVland in nimble and often provocative style.
— Toronto Globe and Mail
Eloquent and witty, Rosenberg provides refreshingly sensible commentary on an increasingly maddening media circus.
— San Francisco Bay Guardian
…We need his voice and one wishes there were many more like his.
— Rainelle, Wv Post-Report
Marvelously written...more than a simple critique…. Rosenberg gives readers a reason to care about what will happen during the second half-century of television.
— Foreword Reviews
The prose is often witty and the satiric hits are sharp…
— Choice Reviews
...This collection [is] a welcome antidote for the medium's [TV's] excesses.
— Daniel M. Kimmel, Author of The Fourth Network
Anything Howard Rosenberg writes about television is superior to almost anything that's on television.
— Linda Ellerbee, Journalist, Television Producer
No mere television critic, Howard Rosenberg is the conscience that the medium seems so sadly to have misplaced.
— Larry Gelbart
This collection of a decade's worth of observation is crisp, smart, furious, and funny.
— Tyne Daly
Read this and you'll see why the Pulitzer jurors said Howard is the best.
— Bill Moyers
Rosenberg is the real thing. Newton Minow may have been the first to call TV a "vast wasteland," but no one has mapped its terrain more thoroughly and starkly than Rosenberg.
— Kirkus Reviews
Rosenberg's collection of essays traces the key stepping-stones on the descent from news to infotainment…
— Brian Lowry; Variety
...Rosenberg loves television…. It's this love that...gives Not So Prime Time its pleasant and tangy bite.
— The Washington Times
The good—but mostly the bad and the ugly