Chapter 1: The Development of the Microphone
Chapter 2: Microphone Types, Patterns, and Uses
Chapter 3: Understanding Sound and Hearing
Chapter 4: Polarity, Phase Cancellation, and Reverb
Chapter 5: Impedance and Balance
Chapter 6: Hum 101, DIs, and Related Transducers
Chapter 7: Accessories and Necessary Hardware
Chapter 8: Stereo Microphone Techniques
Chapter 9: The Recording Session
Chapter 10: Miking Drums
Chapter 11: Miking the Guitar and a Bit on Bass
Chapter 12: Miking Piano
Chapter 13: Miking Solo Acoustic Instruments and Vocals
Chapter 14: Miking Classical Acoustic Sections
Appendix A: Compressors and Limiters: A Brief Overview
Appendix B: An EQ Primer
Appendix C: Microphones You May Not Have Heard Of