Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research.
Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.
Douglas Yeo was bass trombonist of the Boston Symphony from 1985–2012 and currently teaches at Wheaton College.
Lennie Peterson has traveled the world as a trombonist, conductor, producer, recording artist, visual artist, and educator.
Not simply a re-telling of past voices, but strong, new stories and insight, this book presents an honest look at past societal missteps and biases, and provides a way forward for reconciliation, as an example of how musicians today can honor our past while recognizing a better future.
Douglas Yeo has hit a home run by crafting the most comprehensive one-volume compendium of information near and dear to low brass performers, teachers, and enthusiasts. His knowledge, experience, and expertise on the subjects are nonpareil.
An Illustrated Dictionary for the Modern Trombone, Euphonium, and Tuba Player is grounded, comprehensive, and easily digestible throughout. Particularly notable is Yeo’s head-on approach to recognizing areas and individuals previously neglected by general scholarship.
This is a comprehensive reference work that is appropriate for all low brass players at every level, containing valuable historical information about instruments, their inventors, and path changing performers, and pedagogues. The entries are unfailingly clear and understandable and go beyond simply defining instruments and performance practices.
This is a reference that encompasses everything one needs to know as a low brass player—plus more. The illustrations are well crafted and helpful, and the book is conveniently organized in such a way that anyone can easily navigate the information.