Illustrations
Acknowledgments
Introduction
Chapter 1: Jaguar Paw’s World: Thoughts on Apocalypto and Mesoamerican History
Camilla Townsend
Chapter 2: Whose Conquest Is This, Anyway?: Aguirre, the Wrath of God
Thomas H. Holloway
Chapter 3: I, the Worst of All: The Literary Life of Sor Juana Inés de la Cruz
Susan Elizabeth Ramirez
Chapter 4: A French Comedy, the Inquisition, Dirty Dancing, and a Sociopath: Hidalgo—La Historia Jamás Contada
Donald F. Stevens
Chapter 5: Passion and Patriarchy in Nineteenth-Century Argentina: María Luisa Bemberg’s Camila
Donald F. Stevens
Chapter 6: In Search of a New Ecology: Ciro Guerra’s Embrace of the Serpent in the Age of Climate Crisis
Daniel O. Mosquera
Chapter 7: History, Autobiography, and Truth in Euzhan Palcy’s
Rue Cases-Nègres
Mohamed Kamara
Chapter 8: From Gap Year Hijinks to Collectivist Awakenings: Che Guevara’s Motorcycle Diaries in Fact and Fiction
Thomas C. Field Jr.
Chapter 9: Kidnappings of Diplomats and Revolutionary Politics in Authoritarian Brazil: The Tale of Two Films, Four Days in September and Marighella
James N. Green
Chapter 10: “If You Don’t Cheat, You’ll Face Defeat: La Ley de Herodes, Corruption, and Authoritarianism in Mexico
Jürgen Buchenau and Madison Green
Chapter 11: National Politics, Intimate Labor: The Work to Sustain Middle-Class Households in Alfonso Cuarón’s Roma
Susie S. Porter
Chapter 12: “How Historical Are You Trying to Be?”: Romero
Kevin Coleman
Chapter 13: Salvador: Oliver Stone’s Odyssey through the First Year of El Salvador’s Civil War
Erik Ching
Chapter 14: The Dancer Upstairs and the Hunt for Sendero Luminoso’s Presidente Gonzalo
Susan Elizabeth Ramírez
Chapter 15: También la Lluvia: Screening Resistance to Columbus and Bolivia’s Anti-Neoliberal Water War
Leo J. Garofalo
About the Contributors