In the late 1960s, student protests broke out throughout much of the world, and while Britain’s anti-Vietnam protestors and China’s Red Guards were clearly radically different, these movements at times shared inspirations, aspirations and aesthetics. Within Western popular media, Mao’s China was portrayed as a danger to world peace, but at the same time, for some on the counter-cultural left, the Cultural Revolution (1966-1976) contained ideas worthy of exploration. Moreover, because of Britain’s continued colonial possession of Hong Kong, Britain had a specific interest in ongoing events in China, and information was highly sought after. Thus, the objects that China exported – propaganda posters, paintings, Mao badges, periodicals, ceramics etc – became a crucial avenue through which China was known at this time, and interest in them crossed the political divide.
Collecting the Revolution uses the objects that the Chinese government sent abroad and that visitors brought back with them to open up the stories of diplomats, journalists, activists, students and others, and how they imagined, engaged with and later remembered Mao’s China through its objects. It chronicles the story of how these objects were later incorporated into the collections of some of Britain’s most prominent museums, thus allowing later generations to continue to engage with one of the most controversial and important periods of China’s recent history.
Emily R. Williams is an Assistant Professor of China Studies at Xi’an Jiaotong-Liverpool University, Suzhou, where she teaches on modern Chinese history and society. She received her PhD from Birkbeck College, University of London (London Consortium). Her research focuses on the art and material culture of the Maoist period, its legacies in contemporary China, and the collection of this material in China and the UK.
Part One – Shaping Impressions: Britain and Cultural Revolution Culture
Part Two – Transnational Collecting and Exhibiting
Conclusion: Legacies of Engagements with Cultural Revolution Objects
9/9/21, Choice: This book was included in a feature highlighting forthcoming Asian and Asian American Studies titles.