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Jazz Singing

A Guide to Pedagogy and Performance

Tish Oney

Tish Oney merges the worlds of jazz and classical singing in a comprehensive guide for those teaching and singing jazz. Legendary jazz singers’ performance strategies are discussed providing unique insights.

Jazz Singing combines jazz stylization and improvisational techniques with classic voice pedagogy to outline a method that builds the jazz voice upon a strong foundation of proper alignment, efficient breathing, healthy phonation, a clear understanding of vocal anatomy, and the physics of singing. Various strategies to enhance improvisation and artistry are presented, and mindful coordination of all aspects is emphasized to create authentic, healthy jazz singing in this groundbreaking book.

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  • Author
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  • TOC
  • Reviews
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  • Features
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Rowman & Littlefield Publishers
Pages: 318 • Trim: 6½ x 9½
978-1-5381-2844-2 • Hardback • February 2022 • $104.00 • (£80.00)
978-1-5381-2845-9 • Paperback • February 2022 • $42.00 • (£35.00)
978-1-5381-2846-6 • eBook • February 2022 • $39.50 • (£30.00)
Subjects: Music / Instruction & Study / Voice, Music / Genres & Styles / Jazz, Music / Instruction & Study / Techniques

Tish Oney has headlined with symphony orchestras, big bands, and jazz combos throughout the world and has recorded five albums as leader. Possessing a doctorate in jazz from University of Southern California, this internationally acclaimed jazz singer, musicologist, arranger, composer, and conductor has served several institutions as professor and visiting artist. She writes a column titled “Anatomy of a Standard” for All About Jazz and authored Peggy Lee: A Century of Song.

Introduction

Chapter 1 - The Science of Singing

Anatomy of the Larynx

Anatomy of the Breathing Mechanism

Anatomy of the Ear and Hearing Protection

The Physics of Singing

Chapter 2 - Vocal Health and Hygiene

Habits to Cultivate for a Healthy Voice

Daily Check-In and Warm-Up

The Healthy Speaking Voice

Sleep Hygiene

The Voice Care Team

Hearing Protection

Environmental Considerations

Voice Problems and Pathologies

Voice Preservation

Chapter 3 - Posture and Alignment

Balance Points in the Skeleton

Coordinating Body Alignment

Singer-Instrumentalists

Benefits of Excellent Posture

Posture Lessons from the Masters

Chapter 4 - Managing the Breath

The Process of Breathing

Applying the Singer’s Breath to Jazz

Helpful Breathing Exercises

Chapter 5 - Phonation, Articulation, and Resonance

Phonation

Articulation

Resonance

Dr. Oney’s Mix Continuum

Chapter 6 - Jazz Style and Ornamentation

Jazz Language

Jazz Across the World

Style in the Voices of Jazz Masters

The Listening Diet

Tools for Teaching Jazz Style

The Bag of Tricks

Chapter 7 - Vocal Improvisation

Melodic Embellishment

Scat Improvisation

Text-Based Improvisation

Vocalese

Lyric Improvisation

Free Improvisation

World Music and Improvisation

Chapter 8 - Phrasing and Expression

Phrase Types

Steps to Learning a Song

Back-Phrasing

Learning Phrasing from the Masters

The Art of Expression

Chapter 9 - Microphone Technique and Vowel Shaping

Basics of Microphone Technique

Types of Microphones

Crossover Work with a Microphone

Navigating the Mix Continuum with a Microphone

Selecting Microphones

Sound Checks

Microphone Technique and Communication

Mic Technique of the Masters

Vowel Purity

Microphones and Articulation

Subtlety is Key

Chapter 10 - Vocal Jazz Ensembles

What is Blend?

Balance

Authentic Style

Instrumentalists as Choir Directors

Solo Voices in a Choral Setting

Vocal Jazz Repertoire

Tips for an Effective Rehearsal

Structuring the Rehearsal

Building the Vocal Jazz Ensemble

Guided Listening to Professional Ensembles

Chapter 11 - Dalcroze Eurhythmics and Voice Pedagogy

Introduction to the Dalcroze Method

Three Pillars of Instruction

Benefits of Studying Dalcroze Exercises

Applications of Dalcroze Exercises in the Applied Studio

Types of Dalcroze Exercises

Application of Dalcroze Exercises in the Vocal Jazz Ensemble

Chapter 12 - Jazz Theory and Instrumental Approaches

Scales and Modes

Chord Progressions and Form

Motivic Improvisation

Thirds, Sevenths, and Extensions

Hemisphericity

Transcription

Chapter 13 - Mindful Singing and Mental Toughness

Pre-Performance Mental Preparation

The Vocal Warmup Routine

McCloskey’s Points of Relaxation

Breathing Exercises

Mindful Practice

Mental Toughness

Chapter 14 - Arranging and Bandleading

The Jazz Singer-Arranger

Constructing a Professional Arrangement

Playing with Styles

Bandleading

Chapter 15 - Artistry and Pedagogy—Putting It All Together

The Complete Singing Artist

The Singer-Entrepreneur

Alternate Paths

A Complete Pedagogy

Artistry as Gestalt

Consistency and Practice

Evolving Artistry Throughout Life

True Artistic Mastery

Appendix: Sample Practice Guide

Teaching the Crossover Singer

Sample Practice Guide Part I: Strengthening Technique

Sample Practice Guide Part II: Expression and Communication

Selected Bibliography

This volume is commendable for aspiring jazz singers because it contains pedagogic and performance tutelage that is based on voice science. Oney does not merely pay lip service to the topic. Instead, the inclusion of voice science is substantive and consistent throughout the volume. Oney encourages jazz singing that is both healthy and authentic. To achieve the former, she elucidates the principles of voice care and use; and to achieve the latter, she urges students to study with acclaimed vocal artists of the genre. She recommends that singers learn from the jazz masters, and refers the reader to specific artists. Moreover, singers of all genres will benefit from this volume. It not only offers an excellent overview of the physiology and function of the voice, but also serves as a compelling introduction to jazz singing and its most notable exponents. It is highly recommended.


— Journal of Singing


Tish Oney’s book is thoroughly researched and applies her many years of experience as a competent performer and excellent educator. The analytical approach is useful to every teacher and performer. It is a must-read.


— Joe Riposo, former director of jazz studies, Syracuse University


This is an invaluable teaching resource and should be a required text in any jazz vocal program. The rare combination of a trained scientist, accomplished musician, experienced pedagogue, and scholar makes Tish Oney uniquely qualified to offer an expert perspective on all aspects of vocal jazz performance and pedagogy. Highly recommended.


— Monika Herzig, jazz pianist, senior lecturer, Indiana University-Bloomington


Tish Oney has written a rich resource for singers who perform in any style. It’s complete without being overly technical and appropriately views the entire body as one’s instrument—how it works, keeping it conditioned, reaching maximum results.


— Paul Huybrechts, former vocal pedagogy lecturer, University of Southern California


This book is an essential tool for every singer’s toolbox and a perfect supplement for lessons. Tish Oney seamlessly moves between clinical and metaphorical language that only a truly devoted student, teacher, and performer of song can do. She clearly understands that every voice is as unique as every individual person.


— Nathan Gunn, Grammy Award-winning singer, Swanlund Chair, University of Illinois, co-director, Lyric Theatre @ Illinois


Jazz Singing is a gold mine of information for teachers and singers alike, and it is a delightfully refreshing addition to the pedagogy of singing. This book promises to make anyone interested in learning more about jazz style, theory, and repertoire, more knowledgeable and confident in their teaching and performing.


— Patrice Pastore, professor of voice, Ithaca College


Tish Oney, author of Jazz Singing: A Guide to Pedagogy and Performance was interviewed on WICN:

https://www.wicn.org/podcast/tish-oney-jazz-singing/

A fantastic interview.



Webinar with Alfred Music: https://www.youtube.com/watch?v=uarpXkGiEkU



Jazz Singing

A Guide to Pedagogy and Performance

Cover Image
Hardback
Paperback
eBook
Summary
Summary
  • Tish Oney merges the worlds of jazz and classical singing in a comprehensive guide for those teaching and singing jazz. Legendary jazz singers’ performance strategies are discussed providing unique insights.

    Jazz Singing combines jazz stylization and improvisational techniques with classic voice pedagogy to outline a method that builds the jazz voice upon a strong foundation of proper alignment, efficient breathing, healthy phonation, a clear understanding of vocal anatomy, and the physics of singing. Various strategies to enhance improvisation and artistry are presented, and mindful coordination of all aspects is emphasized to create authentic, healthy jazz singing in this groundbreaking book.

Details
Details
  • Rowman & Littlefield Publishers
    Pages: 318 • Trim: 6½ x 9½
    978-1-5381-2844-2 • Hardback • February 2022 • $104.00 • (£80.00)
    978-1-5381-2845-9 • Paperback • February 2022 • $42.00 • (£35.00)
    978-1-5381-2846-6 • eBook • February 2022 • $39.50 • (£30.00)
    Subjects: Music / Instruction & Study / Voice, Music / Genres & Styles / Jazz, Music / Instruction & Study / Techniques
Author
Author
  • Tish Oney has headlined with symphony orchestras, big bands, and jazz combos throughout the world and has recorded five albums as leader. Possessing a doctorate in jazz from University of Southern California, this internationally acclaimed jazz singer, musicologist, arranger, composer, and conductor has served several institutions as professor and visiting artist. She writes a column titled “Anatomy of a Standard” for All About Jazz and authored Peggy Lee: A Century of Song.

Table of Contents
Table of Contents
  • Introduction

    Chapter 1 - The Science of Singing

    Anatomy of the Larynx

    Anatomy of the Breathing Mechanism

    Anatomy of the Ear and Hearing Protection

    The Physics of Singing

    Chapter 2 - Vocal Health and Hygiene

    Habits to Cultivate for a Healthy Voice

    Daily Check-In and Warm-Up

    The Healthy Speaking Voice

    Sleep Hygiene

    The Voice Care Team

    Hearing Protection

    Environmental Considerations

    Voice Problems and Pathologies

    Voice Preservation

    Chapter 3 - Posture and Alignment

    Balance Points in the Skeleton

    Coordinating Body Alignment

    Singer-Instrumentalists

    Benefits of Excellent Posture

    Posture Lessons from the Masters

    Chapter 4 - Managing the Breath

    The Process of Breathing

    Applying the Singer’s Breath to Jazz

    Helpful Breathing Exercises

    Chapter 5 - Phonation, Articulation, and Resonance

    Phonation

    Articulation

    Resonance

    Dr. Oney’s Mix Continuum

    Chapter 6 - Jazz Style and Ornamentation

    Jazz Language

    Jazz Across the World

    Style in the Voices of Jazz Masters

    The Listening Diet

    Tools for Teaching Jazz Style

    The Bag of Tricks

    Chapter 7 - Vocal Improvisation

    Melodic Embellishment

    Scat Improvisation

    Text-Based Improvisation

    Vocalese

    Lyric Improvisation

    Free Improvisation

    World Music and Improvisation

    Chapter 8 - Phrasing and Expression

    Phrase Types

    Steps to Learning a Song

    Back-Phrasing

    Learning Phrasing from the Masters

    The Art of Expression

    Chapter 9 - Microphone Technique and Vowel Shaping

    Basics of Microphone Technique

    Types of Microphones

    Crossover Work with a Microphone

    Navigating the Mix Continuum with a Microphone

    Selecting Microphones

    Sound Checks

    Microphone Technique and Communication

    Mic Technique of the Masters

    Vowel Purity

    Microphones and Articulation

    Subtlety is Key

    Chapter 10 - Vocal Jazz Ensembles

    What is Blend?

    Balance

    Authentic Style

    Instrumentalists as Choir Directors

    Solo Voices in a Choral Setting

    Vocal Jazz Repertoire

    Tips for an Effective Rehearsal

    Structuring the Rehearsal

    Building the Vocal Jazz Ensemble

    Guided Listening to Professional Ensembles

    Chapter 11 - Dalcroze Eurhythmics and Voice Pedagogy

    Introduction to the Dalcroze Method

    Three Pillars of Instruction

    Benefits of Studying Dalcroze Exercises

    Applications of Dalcroze Exercises in the Applied Studio

    Types of Dalcroze Exercises

    Application of Dalcroze Exercises in the Vocal Jazz Ensemble

    Chapter 12 - Jazz Theory and Instrumental Approaches

    Scales and Modes

    Chord Progressions and Form

    Motivic Improvisation

    Thirds, Sevenths, and Extensions

    Hemisphericity

    Transcription

    Chapter 13 - Mindful Singing and Mental Toughness

    Pre-Performance Mental Preparation

    The Vocal Warmup Routine

    McCloskey’s Points of Relaxation

    Breathing Exercises

    Mindful Practice

    Mental Toughness

    Chapter 14 - Arranging and Bandleading

    The Jazz Singer-Arranger

    Constructing a Professional Arrangement

    Playing with Styles

    Bandleading

    Chapter 15 - Artistry and Pedagogy—Putting It All Together

    The Complete Singing Artist

    The Singer-Entrepreneur

    Alternate Paths

    A Complete Pedagogy

    Artistry as Gestalt

    Consistency and Practice

    Evolving Artistry Throughout Life

    True Artistic Mastery

    Appendix: Sample Practice Guide

    Teaching the Crossover Singer

    Sample Practice Guide Part I: Strengthening Technique

    Sample Practice Guide Part II: Expression and Communication

    Selected Bibliography

Reviews
Reviews
  • This volume is commendable for aspiring jazz singers because it contains pedagogic and performance tutelage that is based on voice science. Oney does not merely pay lip service to the topic. Instead, the inclusion of voice science is substantive and consistent throughout the volume. Oney encourages jazz singing that is both healthy and authentic. To achieve the former, she elucidates the principles of voice care and use; and to achieve the latter, she urges students to study with acclaimed vocal artists of the genre. She recommends that singers learn from the jazz masters, and refers the reader to specific artists. Moreover, singers of all genres will benefit from this volume. It not only offers an excellent overview of the physiology and function of the voice, but also serves as a compelling introduction to jazz singing and its most notable exponents. It is highly recommended.


    — Journal of Singing


    Tish Oney’s book is thoroughly researched and applies her many years of experience as a competent performer and excellent educator. The analytical approach is useful to every teacher and performer. It is a must-read.


    — Joe Riposo, former director of jazz studies, Syracuse University


    This is an invaluable teaching resource and should be a required text in any jazz vocal program. The rare combination of a trained scientist, accomplished musician, experienced pedagogue, and scholar makes Tish Oney uniquely qualified to offer an expert perspective on all aspects of vocal jazz performance and pedagogy. Highly recommended.


    — Monika Herzig, jazz pianist, senior lecturer, Indiana University-Bloomington


    Tish Oney has written a rich resource for singers who perform in any style. It’s complete without being overly technical and appropriately views the entire body as one’s instrument—how it works, keeping it conditioned, reaching maximum results.


    — Paul Huybrechts, former vocal pedagogy lecturer, University of Southern California


    This book is an essential tool for every singer’s toolbox and a perfect supplement for lessons. Tish Oney seamlessly moves between clinical and metaphorical language that only a truly devoted student, teacher, and performer of song can do. She clearly understands that every voice is as unique as every individual person.


    — Nathan Gunn, Grammy Award-winning singer, Swanlund Chair, University of Illinois, co-director, Lyric Theatre @ Illinois


    Jazz Singing is a gold mine of information for teachers and singers alike, and it is a delightfully refreshing addition to the pedagogy of singing. This book promises to make anyone interested in learning more about jazz style, theory, and repertoire, more knowledgeable and confident in their teaching and performing.


    — Patrice Pastore, professor of voice, Ithaca College


Features
Features
  • Tish Oney, author of Jazz Singing: A Guide to Pedagogy and Performance was interviewed on WICN:

    https://www.wicn.org/podcast/tish-oney-jazz-singing/

    A fantastic interview.



    Webinar with Alfred Music: https://www.youtube.com/watch?v=uarpXkGiEkU



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