Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally.
But there was nothing new about women crafting as a means of dissent.
Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by makers to engage with the rhetoric and policy shaping their country’s public sphere.
The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations."
Three features make this a unique contribution to the field of craft activism and history:
This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.
For historians, the blend of the diverse essays is helpful in that it encourages linking past (and the history of crafts used for resistance and activism) to present (successful models of craft for political and economic engagement). This type of connection can only deepen our understanding of the history of craft for activism (or craftivism), and our representation of it in our museum collections and writing. For readers interested in engaging in craft for dissent, the lessons of activist crafting, both in the distant and more recent past, are valuable in making decisions about how to carry out craft-based actions.
[C]ontemporary craft scholars, makers, and the general public alike will find this to be a useful book with which to begin seeing dissent as a through line across different temporalities. In particular, communications scholars will find this volume to be a rich resource as this perspective permeates the book both through the editor and many of the authors. Nevertheless, authors from a variety of backgrounds each bring their expertise to bear without using discipline-specific language, which sets an accessible tone. The relatively short chapters and the use of full-color images adds to this approachability.
10/27/2020 - Metro Philadelphia mentioned the book and its editor, as well as her upcoming keynote status in Philly’s CraftMONTH, in an article titled “Philly is getting crafty in the month of November.” Link: https://philly.metro.us/philly-is-getting-crafty-the-month-of-november/