Rowman & Littlefield Publishers
Pages: 314
•
Trim: 6 x 9
978-1-5381-0734-8 • Paperback • October 2019 • $51.00 • (£39.00)
978-1-5381-0735-5 • eBook • October 2019 • $48.50 • (£37.00)
Randye Jones first learned about spirituals at her home church in North Carolina. She has been a presenter at the Research, Education, Activism, and Performance National Conference on Spirituals and conferences of the African American Art Song Alliance, the National Association of Negro Musicians, the Music Library Association, and the Phenomenon of Singing International Symposium.
Chapter 1: What Are Spirituals?
Chapter 2: From Cotton Field to Concert Hall
Chapter 3: Pioneers of the Concert Spiritual
Chapter 4: Song Literature
Chapter 5: Using Dialect in Performance
Chapter 6: Must You Be Black to Sing Spirituals?
Chapter 7: Collaborating with Pianists, Casey Robards
Chapter 8: African American Art Song, Emery Stephens & Caroline Helton
Chapter 9: Spirituals: Interpretative Guidelines for Studio Teachers, Barbara Steinhaus
Chapter 10: Choral Arrangements of Spirituals, Patricia J. Trice
Chapter 11: Spirituals: America’s Contribution to World Sacred Music, Timothy W. Sharpe
Chapter 12: Gaining Perspective: A Linguistic Approach to Dialect, Felicia Barber
Chapter 13: Singing and Voice Science, Scott McCoy
Chapter 14: Vocal Health for Singers, Wendy LeBorgne
By drawing upon her own knowledge and experience in both researching and performing spirituals, and by including the input of several other recognized experts in the field, Jones provides a valuable, all-angles exploration of this underperformed genre with this publication.
— Classical Singer Magazine
This guide for the study and performance of spirituals provides not only a wonderful overview of the history of this musical style, but also practical suggestions and advice for the vocalist and teacher. . . this volume is an important addition to continue growing the diversity and inclusivity of different musical styles in vocal training programs. Randye Jones takes the subject in hand masterfully and does not shy away from some of the more complicated issues surrounding this particular style of singing. . . . this is an excellent addition to the So You Want to Sing series. It brings light to one of the more diverse, and regrettably sometimes controversial, styles of singing and encourages all practitioners to invest in study and accurate portrayal of these songs and texts just as they would any other piece of vocal repertoire. It would be worthwhile to purchase and add to the shelves of a personal, public, or academic library.
— Music Reference Services Quarterly
So You Want to Sing Spirituals is an exemplary title in this series. Jones offers a well researched and well written overview of spirituals, and contributions by guest authors make this volume a rich resource for both avocational and professional performers. It is significant, as noted by Jones, that this book was published on the 400th anniversary of the arrival of the first slave trader ship to the United States. This book is an invaluable tool for moving beyond cultural misappropriation to artistic appreciation, and is a useful addition to the library of all musicians who study and perform this repertoire.
— Journal of Singing
A wonderful resource for those interested in navigating the world of spirituals. Randye Jones melds methodical research with practical advice into a book that invites students and teachers of all ethnicities to explore and present spirituals with greater authenticity and confidence.— Louise Toppin, University of Michigan, director, the George Shirley Vocal Competition for African American Spirituals, Art Song and Operatic Arias
Jones has created a broad-ranging study that enables singers to make informed decisions about a repertoire complicated by its connection to a painful history. It is time to embrace this beautiful repertoire and expand the performance canon.— Kathleen A. Abromeit, Oberlin Conservatory Library and author of Spirituals: A Multidisciplinary Bibliography for Research and Performance
Finally, a comprehensive guide dedicated to the performance of the concert spiritual! In this much-needed work, Jones expertly imparts her knowledge of the vocal and technical demands that this American art form requires.— Robert Sims, professor of voice, Northern Illinois University