Lexington Books
Pages: 218
•
Trim: 6¼ x 9
978-1-4985-9266-6 • Hardback • July 2019 • $111.00 • (£85.00)
978-1-4985-9268-0 • Paperback • July 2021 • $44.99 • (£35.00)
978-1-4985-9267-3 • eBook • July 2019 • $42.50 • (£35.00)
Kandace L. Harris is special assistant to the president and associate professor of mass communication and media studies at Shaw University.
Shauntae Brown White is coordinator of the Women's and Gender Studies program and associate professor in the Department of Mass Communication at North Carolina Central University.
Introduction: Being Mara
Chapter 1: ‘Girlfriends - There, Through Thick and Thin!’: African American Female Sisterhood and the Quest for Happiness
Chapter 2: Professional Success, Personal Turmoil: The Black Working Woman Image in Girlfriends
Chapter 3: Real, Respectable, or Both: Respectability on Being Mary Jane through the Words of Mara Brock Akil
Chapter 4: ‘Girl, You Know I Got You:’ The Ideology of Sisterhood on Being Mary Jane
Chapter 5: What Love Is and Is Not: A Critical Discourse Analysis
Chapter 6: Navigating The Game of Life: Women Viewers & The Game
Chapter 7: Social Networks, Television and Black Women: An Analysis of Facebook Representations of Being Mary Jane
Chapter 8: Social TV and Stereotypes: The Social Construction of #BeingMaryJane on Twitter
Chapter 9: @MaraAkil: An Analysis of the Mara’s Balance of Life, Family and Production on Instagram
Afterword
Representations of Black Womanhood on Television: Being Mara Brock Akil is a powerful collaboration of Black female scholars shining light on a storyteller that has centered Black female voices for more than two decades. This text is both a picture and celebration of a Black woman who dared to dream. As such this volume marks its place in history and is guaranteed to be a resource for scholars and creatives interested in shining light on people in the shadows.— Omotayo Banjo, University of Cincinnati
In Representations of Black Womanhood on Television: Being Mara Brock Akil, Shauntae Brown White and Kandace L. Harris present an exquisite collection of scholarship--both critical interrogations and audience analyses— that not only examines Mara Bock Akil’s creative oeuvre, but also details how this media tour de force locates and makes accessible Black women’s humanity. The strength of this carefully curated volume of edited work is that the authors consider both creation and depiction to provide readers with new insights into what authentic representational inclusion means.
— Robin R. Means Coleman, vice president and associate provost for institutional diversity & inclusion and the Ida B. Wells and Ferdinand Barnett Professor of Communication Studies at Northwestern University