Shamanism in the Contemporary Novel examines how shamanism is used as a significant trope in a selection of novels. Özlem Öğüt Yazıcıoğlu contends that the shamanic figures and societies featured in these works have been subjected to marginalization, dislocation, and dispossession through imperialist, colonialist, and capitalist encroachments in different historical contexts.
Özlem Öğüt Yazıcıoğlu is associate professor in the Department of Western Languages and Literatures at Boğaziçi University.
Part I: Shamanism, Animism, and Totemism in North-East Asian Indigenous Contexts
Chapter 1: Being With: Transcorporeal Imagination in The Last Quarter of the Moon
Chapter 2: If Confucius Hadn’t Said: Rewriting History from the Memory of Water in Fang Qi’s Elegy of a River Shaman
Chapter 3:Why It Matters What We Can Afford To Each Other: Of Wolves and Men in Jiang Rong’s Wolf Totem
Part II: Shamanistic-Animistic Insights for Social and Environmental Justice Today
Chapter 4: Bodies and Souls: Diffractive Seeing in Angela Carter’s Nights at the Circus and Elif Shafak’s The Gaze
Chapter 5: Resisting With Myths and Books in Water and Earth by Buket Uzuner
Shamanism in the Contemporary Novel is a strikingly multidisciplinary and multinational exploration of the role of shamanic thinking in promoting an 'environmental-ethical consciousness.' We have seen material ecocriticism receive a lot of attention in the past decade, but there has been less focus on what might be called 'spiritual ecocriticism.' Özlem Öğüt Yazıcıoğlu’s book is a lucid and authoritative contribution to the new spiritual turn in ecocriticism.
Filling a gap in literary theory, Shamanism in the Contemporary Novel recuperates Shamanism as a ecocritical perspective transcending Cartesian dualisms and affirming the significance of animated nature or spirit-charged matter for developing an environmental-ethical consciousness. These shamanic narratives reveal the embeddedness and relationality of human and more-than-human persons. As ecofeminist Val Plumwood once wrote, we have always been companioned by earth other.
Often denigrated and dismissed as a primitive, magical mode of thinking, shamanism, argues Özlem Yazıcıoğlu, promotes an ecological ethics that our ecocidal modern world is actually in dire need of. This timely and illuminating book shows how ancient Indigenous notions of animated nature anticipate and align with recent trends in ecocriticism such as posthumanism and new materialism that hold up relationality and interdependence as an antidote to the dominant anthropocentric and mechanistic cosmologies that have brought the planet to the brink of ecological ruin. Erudite and sophisticated yet accessible and engaging, Shamanism in the Contemporary Novel deserves a wide readership and will appeal to all those interested in cutting-edge environmental humanities research.
Shamanism in Contemporary Novel makes an original, important contribution to literary scholarship on shamanism. Reading the shamanic in an array of novels through new materialist, feminist and ecocritical lenses, Yazıcıoğlu interrogates the nature andculture divide that underpins human exceptionalism and the current ecological devastation of Earth. The volume eschews appropriating or romanticizing shamanism and offers it instead as ecological, ethical consciousness-cum-practice that attests to the onto-epistemological entanglement of planetary life.