Lexington Books
Pages: 172
•
Trim: 6⅜ x 9¼
978-1-4985-8938-3 • Hardback • January 2020 • $90.00 • (£69.00)
978-1-4985-8939-0 • eBook • January 2020 • $85.50 • (£66.00)
María Ramos-García is professor of Spanish at South Dakota State University.
Laura Vivanco holds a PhD from the University of St. Andrews.
Preface
Introduction: María Ramos-García and Laura Vivanco
Part I: Place, Travel, History and Language
Chapter 1: Britannia’s Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s-1970s)
María del Mar Pérez-Gil
Chapter 2: ‘And they Drive on the Wrong Side of the Road’: The Anglo-centric Vision of the Canary Islands in Mills & Boon Romance Novels (1955-1987)
María Jesús Vera-Cazorla
Chapter 3: Cross-Cultural Romance and the Shadow of the Sheikh
Maureen Mulligan
Chapter 4: Othering and Language: Bilingual Romances in the Canary Islands
María Isabel González-Cruz
Chapter 5:Language Awareness in Four Romances Set on the Island of Madeira
Aline Bazenga
Chapter 6: Archipelagoes of Romance: Decapitalized Otherness in Caribbean Trash Fiction
Ramón Soto-Crespo
Part II: Tensions and Transformations
Chapter 7: Public Conflicts and Private Treaties in Kathleen Eagle’s Native American Themed Romance Fiction
Johanna Hoorenman
Chapter 8: Changing Attitudes to Others: Meljean Brook’s Riveted (2012) and its Context
Laura Vivanco
Chapter 9: Representations of Otherness in Paranormal Romance: Race and Wealth in Nalini Singh and J.R. Ward”
María Ramos-García
Chapter 10: ‘There’s Something Charming about a Man with an Accent, Isn’t There?’ The Representation of Otherness in Three Novels by Lisa Kleypas”
Inmaculada Pérez-Casal
Ramos-Garcia and Vivanco's collection investigates and challenges problematic, imperialist representations of non-Anglo Others in romance novels. Originating as papers presented at the First International Seminar on Languages and Cultures in Contact in the Romance Novel (Univ. of Las Palmas de Gran Canaria, 2017), the essays are divided into two parts: "Place, Travel, History and Language" looks at romance fiction before 1990, "Tensions and Transformations" at romance fiction after 1990. The essays in part 1 demonstrate how romance fiction promotes cultural and national supremacy; the ways whiteness serves as the implied standard for beauty, desirability, and relationships; and stereotypical and faulty attempts at portraying diverse, accurate, and sensitive characters and story lines. Those in part 2 consider who has access to publish romance novels, explore new and promising subgenres of romance (e.g., steampunk, paranormal), describe what might sufficiently constitute nuanced representations of difference, and assess whether there can ever be sensitive and politically neutral representations of romance. An important book for anyone interested in textual criticism, romance, and the significance of popular media. Summing Up: Recommended. Graduate students, researchers, faculty.
— CHOICE
An insightful and important intervention into discussions of diverse forms of Othering in romance novels. Essential reading for those interested in the formation and unraveling of racial, ethnic, class, and national identities in popular fiction, from the historical to the paranormal.— Hsu-Ming Teo, Macquarie University
An engaging collection of essays that approach popular romance fiction from varied angles, such as linguistics and cultural studies, to examine constructions of Otherness in the genre.. A timely and much needed contribution to the field, particularly the chapters that include close readings of specific texts, including the often-overlooked category romances (Harlequin Mills and Boon). — Jayashree Kamble, LaGuardia Community College CUNY