Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.
Joseph Ford is lecturer in French studies at the Institute of Modern Languages Research, School of Advanced Study, University of London.
Introduction: Writing the Black Decade
Chapter 1: Rethinking Testimonial Literature in Rachid Mimouni, Assia Djebar and Maïssa Bey
Chapter 2: Exploring Complicity in Salim Bachi
Chapter 3: Beyond a Grotesque Aesthetics of the Black Decade in Habib Ayyoub
Chapter 4: Specters of the Black Decade in Kamel Daoud’s Meursault, contre-enquête
Chapter 5: Deconstructing Oppositional Criticism in Mustapha Benfodil’s Archéologie du chaos [amoureux]
Conclusion: Beyond the Language of Crisis and Conflict
About the Author
Writing the Black Decade is a lively and incisive analysis of francophone literature focused on Algeria’s civil war of the 1990s. Ford’s approach is refreshing and original in that it both offers nuanced analysis of a range of important works not generally well-known to anglophone audiences and probes the effects of the media debates to which they have given rise. While attentive to the subtleties of the works under scrutiny, Ford astutely points out the ways in which literature too can contribute to the binary and conflictual structures they set out to criticise. This study makes a highly significant intervention at once into the study of Algerian literature and into debates on the politics of literary criticism.
This welcome book is a prompt to think more deeply and with greater nuance about literary representations of Algeria’s ‘Black Decade’. Ford asks a fundamental question about how to understand literature in a time of conflict and he responds with an assured and necessary corrective to the celebration of literature as a form of emancipation. Deftly, and through a range of compelling readings, Ford argues that much Algerian literature written in French distorted or obscured the messy realities that were at play. And yet Ford refuses a simple binary concluding that while literary works in Algeria have been shaped by their material conditions of production and reception, they have also contributed to shaping ideas that circulate within Algeria and its broader transnational public sphere. Ford makes a fresh contribution to an important debate and his book will be a key reference for scholars working on Francophone Algerian literature since 1988.