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Creative Encounters, Appreciating Difference

Perspectives and Strategies

Sam Gill

Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity.

Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative.

The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as “bad scholarship,” this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood.

Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles.

Since these historical examples engage highly relevant present concerns —the distinction of real and fake, truth and lie, map and territory—the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.

Lexington Books

Pages: 272 • Trim: 6¼ x 9

978-1-4985-8087-8 • Hardback • November 2018 • $117.00 • (£90.00)

978-1-4985-8088-5 • eBook • November 2018 • $111.00 • (£85.00)

Series: Studies in Body and Religion

Subjects: Religion / Comparative Religion, Social Science / Anthropology / Cultural, Religion / Ethnic & Tribal, Social Science / Indigenous Studies, Social Science / Ethnic Studies / Native American Studies

Creative Encounters, Appreciating Difference

Perspectives and Strategies

Hardback

eBook

Summary

Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity.

Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative.

The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as “bad scholarship,” this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood.

Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles.

Since these historical examples engage highly relevant present concerns —the distinction of real and fake, truth and lie, map and territory—the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.

Details

Lexington Books

Pages: 272 • Trim: 6¼ x 9

978-1-4985-8087-8 • Hardback • November 2018 • $117.00 • (£90.00)

978-1-4985-8088-5 • eBook • November 2018 • $111.00 • (£85.00)

Series: Studies in Body and Religion

Subjects: Religion / Comparative Religion, Social Science / Anthropology / Cultural, Religion / Ethnic & Tribal, Social Science / Indigenous Studies, Social Science / Ethnic Studies / Native American Studies

Author

Sam Gill is professor at the University of Colorado at Boulder and author of Dancing Culture Religion.

Table of Contents

Creative Encounters, Appreciating Difference: An Introduction

I: Appreciating Difference: Encountering, Moving, Naming

1: Moving Beyond Place

2: Territory

3: I Don’t Want to Be a Mystic! On Self-Moving and Religious Experience

4: Not by Any Name

II: Creations of Encounter

5: Mother Earth and Numbakulla

6: Storytracking the Arrernte through the Academic Bush

7: Mother Earth: An American Myth

III: Aesthetic of Impossibles

8: Myth and an Aesthetic of Impossibles

9: Tomorrow’s Eve and the Next Gen Study of Religion

IV: Gesture

10: Gesture Posture Prosthesis

11: They Jump Up of Themselves

12: As Prayer Goes So Goes Religion

V: Play

13: No Place to Stand: Jonathan Z. Smith as homo ludens, the Academic Study of Religion sub specie ludi

14: To Risk Meaning Nothing: Charles Sanders Peirce & the Logic of Discovery

VI: Creative Encounters

15: Creative Encounters

Reviews

This volume provides a comprehensive view of Sam Gill’s scholarship over a lifetime, a synthetic vantage point not otherwise available. Scholars will welcome this important and stimulating work.
— Gregory Alles

Creative Encounters, Appreciating Difference

Perspectives and Strategies

Sam Gill

Creative Encounters, Appreciating Difference

Perspectives and Strategies

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