Japan Fluxus

Luciana Galliano

Fluxus was a pivotal movement in redefining art’s role and the artist’s identity in the contemporary world, so that its aesthetics – as well as many of its gimmicks – have become so deeply embedded in our social setting that we now no longer realize where they originally came into being. Fluxus has been described as the most radical and experimental art movement of the 1960s, challenging conventional thinking on art and culture. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. The amount of Fluxus-related scholarly activity has increased since 2009, when New York’s Museum of Modern Art acquired the world’s largest collection of Fluxus works, the Lila and Gilbert Silverman Collection, and this in turn led to a series of exhibitions, first at MoMA and subsequently at other institutions worldwide.

Focusing on Japanese artists involved in Fluxus, the book proposes a new understanding of this movement which, in spite of its anti-academicism, its aversion to authorial identity and the ephemeral character of its output, is “the best documented and best cross-indexed art movement in history,” (Nam June Paik 1994, 77). The book presents postwar Japanese radical avant-garde and the related and highly refined discourse and debate behind it, enlightening crucial if less known aspects of (local) Fluxus history and theory.

Lexington Books

Pages: 176 • Trim: 6 x 8¾

978-1-4985-7825-7 • Hardback • November 2018 • $105.00 • (£81.00)

978-1-4985-7827-1 • Paperback • November 2020 • $41.99 • (£32.00)

978-1-4985-7826-4 • eBook • November 2018 • $39.50 • (£30.00)

Subjects: Music / Philosophy & Social Aspects, History / Asia / Japan, Literary Criticism / Asian / Japanese, Social Science / World / Asia, Social Science / Culture

Japan Fluxus

Hardback

Paperback

eBook

Summary

Fluxus was a pivotal movement in redefining art’s role and the artist’s identity in the contemporary world, so that its aesthetics – as well as many of its gimmicks – have become so deeply embedded in our social setting that we now no longer realize where they originally came into being. Fluxus has been described as the most radical and experimental art movement of the 1960s, challenging conventional thinking on art and culture. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. The amount of Fluxus-related scholarly activity has increased since 2009, when New York’s Museum of Modern Art acquired the world’s largest collection of Fluxus works, the Lila and Gilbert Silverman Collection, and this in turn led to a series of exhibitions, first at MoMA and subsequently at other institutions worldwide.

Focusing on Japanese artists involved in Fluxus, the book proposes a new understanding of this movement which, in spite of its anti-academicism, its aversion to authorial identity and the ephemeral character of its output, is “the best documented and best cross-indexed art movement in history,” (Nam June Paik 1994, 77). The book presents postwar Japanese radical avant-garde and the related and highly refined discourse and debate behind it, enlightening crucial if less known aspects of (local) Fluxus history and theory.

Details

Lexington Books

Pages: 176 • Trim: 6 x 8¾

978-1-4985-7825-7 • Hardback • November 2018 • $105.00 • (£81.00)

978-1-4985-7827-1 • Paperback • November 2020 • $41.99 • (£32.00)

978-1-4985-7826-4 • eBook • November 2018 • $39.50 • (£30.00)

Subjects: Music / Philosophy & Social Aspects, History / Asia / Japan, Literary Criticism / Asian / Japanese, Social Science / World / Asia, Social Science / Culture

Author

Luciana Galliano is musicologist and independent scholar in musical aesthetics.

Table of Contents

Introduction

Chapter 1 Globalism

Chapter 2 Experimentalism and iconoclasm

Chapter 3 Unity of art and life

Chapter 4 Ephemerality

Chapter 5 Specificity

Chapter 6 Musicality

Chapter 7 Fluxus off - Conclusions

Appendix

Bibliography

Reviews

By highlighting the significance of musicality to Japanese Fluxus, Luciana Galliano’s book brings fresh perspectives grounded in music historical expertise and a very welcome intervention to existing narratives about Fluxus in Japan. It also productively decenters the cartography of experimentalism in the 20th century that assumes a de facto 'Western' center by foregrounding the figuration of Japanese aesthetic categories in the experimental practices of the artists and musicians in her study.
— Miki Kaneda, Boston University

This book reveals the historical significance of the Fluxus movement in a multidimensional way by elaborating the development of the international movement in Japan and the roles played by Japanese artists.
— Ishida Kazushi, independant scholar

George Maciunas once said 'Fluxus is Zen.' This book by Luciana Galliano unravels the depths of the global movement called Fluxus from Japan’s unique aspects.
— Toshie Kakinuma, Kyoto City University of Arts

Japan Fluxus

Luciana Galliano

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