Diaspora Poetics and Homing in South Asian Women's Writing

Beyond Trishanku

Edited by Shilpa Daithota Bhat - Contributions by Gurbir Singh Jolly; Izabella Kimak; María Alonso Alonso; María Jesús Cabarcos Traseira; Marina Carter; Mitali P. Wong; Reshmi J. Hebbar; Sam Naidu; Setara Pracha; Shuhita Bhattacharjee and Vanita Seth

This anthology of essays, deliberates chiefly on the notion of locating home through the lens of the mythical idea of Trishanku, implying in-between space and homing, in diaspora women’s narratives, associated with the South Asian region. The idea of in-between space has been used differently in various cultures but gesture prominently on the connotation of ‘hanging’ between worlds. Historically, imperialism and the indentured/ ‘grimit’ system, triggered dispersal of labourers to the various colonies of the British. Of course, this was not the only cause of international migratory processes. The partition of India and Pakistan led to large scale migration. There was Punjabi migration to Canada. Several Indians, particularly the Gujaratis travelled to Africa for business reasons. South Indians travelled to the Gulf for employment. There were migrations to East Asian countries under the kangani system. Again, these were not the only reasons. The process of demographic movement from South Asia, has been complex due to innumerable push-pull factors. The subsequent generations of migrants included the twice, thrice (and likewise) displaced members of the diaspora. Racial denigration and Orientalist perceptions plagued their lives. They belonged to various ethnicities and races, inhabited marginalized spaces and strived to acculturate in the host society. Complete cultural assimilation was not possible, creating layered and hyphenated identities. These intricate social processes resulted in amalgamation and cross-pollination of cultures, inter-racial relationships and hybridization in all terrains of culture—language, music, fashion, cuisine and so on. Situated in this matrix was the notion of Home—a special personal space which an individual could feel as belonging to, very strongly. Nostalgia, loss of home, culture shock and interracial encounters problematized this discernment of belongingness and home. These multifarious themes have been captured by women writers from the South Asian region and this book looks at the various aspects related to negotiating home in their narratives.

Lexington Books

Pages: 216 • Trim: 6¼ x 9½

978-1-4985-7762-5 • Hardback • March 2018 • $111.00 • (£85.00)

978-1-4985-7763-2 • eBook • March 2018 • $105.50 • (£82.00)

Subjects: Literary Criticism / Women Authors, Literary Criticism / Asian / General, Literary Criticism / Modern / General

Diaspora Poetics and Homing in South Asian Women's Writing

Beyond Trishanku

Hardback

eBook

Summary

This anthology of essays, deliberates chiefly on the notion of locating home through the lens of the mythical idea of Trishanku, implying in-between space and homing, in diaspora women’s narratives, associated with the South Asian region. The idea of in-between space has been used differently in various cultures but gesture prominently on the connotation of ‘hanging’ between worlds. Historically, imperialism and the indentured/ ‘grimit’ system, triggered dispersal of labourers to the various colonies of the British. Of course, this was not the only cause of international migratory processes. The partition of India and Pakistan led to large scale migration. There was Punjabi migration to Canada. Several Indians, particularly the Gujaratis travelled to Africa for business reasons. South Indians travelled to the Gulf for employment. There were migrations to East Asian countries under the kangani system. Again, these were not the only reasons. The process of demographic movement from South Asia, has been complex due to innumerable push-pull factors. The subsequent generations of migrants included the twice, thrice (and likewise) displaced members of the diaspora. Racial denigration and Orientalist perceptions plagued their lives. They belonged to various ethnicities and races, inhabited marginalized spaces and strived to acculturate in the host society. Complete cultural assimilation was not possible, creating layered and hyphenated identities. These intricate social processes resulted in amalgamation and cross-pollination of cultures, inter-racial relationships and hybridization in all terrains of culture—language, music, fashion, cuisine and so on. Situated in this matrix was the notion of Home—a special personal space which an individual could feel as belonging to, very strongly. Nostalgia, loss of home, culture shock and interracial encounters problematized this discernment of belongingness and home. These multifarious themes have been captured by women writers from the South Asian region and this book looks at the various aspects related to negotiating home in their narratives.

Details

Lexington Books

Pages: 216 • Trim: 6¼ x 9½

978-1-4985-7762-5 • Hardback • March 2018 • $111.00 • (£85.00)

978-1-4985-7763-2 • eBook • March 2018 • $105.50 • (£82.00)

Subjects: Literary Criticism / Women Authors, Literary Criticism / Asian / General, Literary Criticism / Modern / General

Author

Shilpa Daithota Bhat is assistant professor at Ahmedabad University

Table of Contents

Introduction
Shilpa Daithota Bhat

PART I: REALIZING TRISHANKU
Chapter 1 – Representation & Memorialization of the Experiences of Indian Labour Migrants
Marina Carter
Chapter 2 – Uprooted and Dispossessed: An Ecocritical Feminist Reading of Farida Karodia’s Other Secrets
María Jesús Cabarcos Traseira
Chapter 3 – Pursuing the Indo-Caribbean Diaspora through Ramabai Espinet’s The Swinging Bridge
Maria Alonso Alonso

PART II: CONFIGURING HOME
Chapter 4 – "There's No Place Like Home": Travel as Erasure in Three, Turn-of-The-Century Narratives
Gurbir Singh Jolly
Chapter 5 – A Passage from India: The Darkly Funny in Meera Syal’s Anita and Me
Setara Pracha
Chapter 6 – Relocating Home and Diasporising the South Asian Queer
Shuhita Bhattacharjee
Chapter 7 – Negotiating Home and Homeland through Women’s Life-Writing
Sam Naidu

PART III: EXPLORING HOSTLANDS
Chapter 8 – Bharati Mukherjee’s Jasmine and the Romance of the Refugee Governess
Reshmi J. Hebbar
Chapter 9 – Exploring Race in the Poetry of Vandana Khanna, Pireeni Sundaralingam and Dilruba Ahmed
Mitali P. Wong
Chapter 10 – Corporeality and Search for Home in Bharati Mukherjee’s Fiction
Izabella Kimak

Epilogue – Short Story—“Abbey and Me”
Vanita Seth