Lexington Books
Pages: 274
•
Trim: 6¼ x 9
978-1-4985-7353-5 • Hardback • October 2018 • $117.00 • (£90.00)
978-1-4985-7355-9 • Paperback • February 2020 • $47.99 • (£37.00)
978-1-4985-7354-2 • eBook • October 2018 • $45.50 • (£35.00)
Angela M. Cirucci is assistant professor of media studies at Kutztown University.
Barry Vacker is associate professor in the Klein College of Media and Communication at Temple University.
Introduction
Section 1: Human Identity
Chapter 1: Race, Cyborgs, and the Pitfalls of Biopolitical Discourse in Black Mirror’s “Men Against Fire”
Diana Leon-Boys and Morten Stinus Kristensen
Chapter 2: Digitally Natural: Gender and Sexuality Norms in Black Mirror
Angela M. Cirucci
Chapter 3: A Virtual Ever-After: Utopia, Race, and Gender in Black Mirror’s “San Junipero”
Eleanor Drage
Section 2: Surveillance Culture
Chapter 4: Black Mirror’s “Nosedive” as a new Panopticon: Interveillance and Digital Parrhesia in Alternative Realities
Francois Allard-Huver and Julie Escurignan
Chapter 5: All Eyes on Me: Surveillance and the Digital Archive in “The Entire History of You”
Derek R. Blackwell
Chapter 6: Seeing the “Surveillant Face” of Technology in Black Mirror: Using Futuristic Scenarios for an Interdisciplinary Discussion on the Feasibility and Implications of Technology
Pinelopi Troullinou and Mathieu d’Aquin
Section 3: The Spectacle and Hyperreality
Chapter 7: Waldo Wins IRL: Donald Trump, Black Mirror, and the Politics of Jean Baudrillard’s Hyperreal
Michael Mario Albrecht
Chapter 8: Why Black Mirror is Really Written by Jean Baudrillard: A Philosophical Interpretation of Charlie Brooker’s Series
Manel Jiménez-Morales and Marta Lopera-Mármol
Chapter 9: Spectacular Tech-Nightmare: Broadcasting Guy Debord
Fernando Gabriel Pagnoni Berns
Section 4: Aesthetics
Chapter 10: Rhetorical Ethics in Black Mirror: The Aesthetics of Existence in Hyperreality and Posthumanity
Hillary A. Jones
Chapter 11: The Hysterical Sublime: Black Mirror, “Playtest,” and the Crises of the Present
Matthew Flisfeder
Chapter 12: Black Mirror, White Spaces: Nihilism, Enlightenment, and Technology
Barry Vacker and Erin Espelie
Section 5: Technology and Existence
Chapter 13: Over-Extended Media: Hashtag Hatred and Domestic Drones
Julia M. Hildebrand
Chapter 14: Unbearable Burden: Discipline, Punishment, and Moral Dystopia in Black Mirror’s “White Bear”
Osei Alleyne
Chapter 15: The Entire Evolution of Media: A Media Ecological Approach to Black Mirror
Carlos A. Scolari
Section 6: Dystopian Futures
Chapter 16: Heterotopias and Utopias in Black Mirror: Michel Foucault on “San Junipero”
Sarah J. Constant
Chapter 17: Trapped in Dystopian Techno Realities: Nosediving into Simulation through Consumptive Viewing
Erika M. Thomas and Romin Rajan
Chapter 18: The Dystopia of the Spectator: Past Revival and Acceleration of Time in Black Mirror (“The Entire History of You” and “Be Right Back”)
Macarena Urzúa Opazo and Antoine Faure
Conclusion: Connecting Our Themes to Season Four and the Future
Index
About the Editors
About the Contributors
Black Mirror is a television program made to think with and, even to the casual viewer, it feels as though the stories plumb unseen depths at the intersection of human nature and the cutting edge of technology. Coming to grips with the deep currents of the show is difficult for the solo viewer, but Black Mirror and Critical Media Theory provides a set of maps for exploring this media text. Reading the collection is a bit like watching the show with a group of fans who share an interest in the structure of human culture. And like the show itself, each chapter stands well on its own but together they support a strong collection of thematic analyses that pull on the threads of ideas that run through each of the seasons of Black Mirror. Whether read by an interested fan or in the context of a course, there is something for every reader within this collection.
— Alexander Halavais, Arizona State University
Nowhere in contemporary popular culture is the near future more scary or visceral or than Charlie Brooker's dystopian series Black Mirror, and nowhere has that vision been more widely scrutinised than the wide-ranging and razor-sharp chapters in Cirucci and Vacker's collection. From the excesses of social media consumption to the panopticon of pervasive surveillance, Black Mirror and Critical Media Theory combines offers a range of theoretical lenses to understand and frame the immanent and pressing questions that Black Mirror so disturbingly raises.
— Tama Leaver, Curtin University