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Lab Lit

Exploring Literary and Cultural Representations of Science

Edited by Olga Pilkington and Ace G. Pilkington - Contributions by Stephanie Chidester; Beverly Connor; Dean Conrad; Matt Hadley; Kimberly H. Idol; Lynne Magowan; Elaine P. Pearce; Ace G. Pilkington; Olga Pilkington; Jennifer L. Rohn; Amanda Scott; Eileen Trauth; Suzanne Trauth and Theda Wrede

Lab Lit: Exploring Literary and Cultural Representations of Science is the first formal, systematic, scholarly investigation of laboratory literature from the perspective of literary studies. Lab Lit as a new genre has received a lot of public and media attention due to its compelling presentation of science practitioners and the relatable explanations of the scientific advancements that have shaped modern society and will continue to do so. However, the genre has been largely overlooked by scholars. This book is an introduction to the world of science for those who up till now have been immersed primarily in the world of literature. The anthology contains essays that discuss Lab Lit novels using a variety of analytical approaches. It also features theoretical essays that explore the social and literary backgrounds of Lab Lit and help the reader position the critical pieces within appropriate contexts.
  • Details
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  • Author
  • Author
  • TOC
  • TOC
  • Reviews
  • Reviews
Lexington Books
Pages: 274 • Trim: 6⅜ x 9
978-1-4985-6598-1 • Hardback • October 2019 • $123.00 • (£95.00)
978-1-4985-6600-1 • Paperback • March 2022 • $41.99 • (£35.00)
Subjects: Literary Criticism / Science Fiction & Fantasy, Literary Collections / General, Literary Criticism / Modern / 21st Century
Olga A. Pilkington is Assistant Professor of English at Dixie State University.


The late
Ace G. Pilkington was professor of English and history at Dixie State University.

Preface, Olga A. Pilkington and Ace G. Pilkington

Introduction: What’s in a Name?, Olga A. Pilkington

Chapter 1: Frankenstein, Scientism, and the Cultural Reception of Discovery, Amanda Scott

Chapter 2: Female Scientists Under Strain: Transitions From Lab To Lit To Screen, Dean Conrad and Lynne Magowan

Chapter 3: Lab Lit and Science Fiction: Similarities and Separations, Ace G. Pilkington

Chapter 4: Lab Lit and Popular Science, Olga A. Pilkington

Chapter 5: Where Science Meets Fiction: A History and Theory of Laboratory Production, Matt Hadley

Chapter 6: The Use of Forensic Techniques to Uncover Social Disorder in Caleb Carr’s Alienist Novels, Kimberley H. Idol

Chapter 7: Barbara Kingsolver’s Flight Behavior: The Sciences in a Post-Fact World, Theda Wrede

Chapter 8: The Short Fiction of Andrea Barrett: Lab Lit as Sociology of Science, Stephanie Chidester

Chapter 9: The Honest Look at Science and Poetry, Elaine Pearce

Chapter 10: Addressing the Gender Gap in STEM through Theatre, Eileen Trauth and Suzanne Trauth

Chapter 11: Using Science in Writing Mystery Novels, Beverly Connor

Case Study: Lab Lit: Illuminating a Hidden World through the Medium of Fiction, Jennifer Rohn

Conclusion
About the Contributors

This unique collection of contributed essays explores the cultural representation of science and scientists through literary texts. Its chapters provide creative, thought-provoking, and carefully curated observations about lab lit, bookended by a welcoming introduction to the genre by Olga Pilkington (Dixie State Univ.): "There is humor ... drama ... suspense ... [and] there is love—a life of science is a full one," she asserts. The final essay ("Illuminating a Hidden World through the Medium of Fiction") offers a case study, recounting contributor Rohn's decision to "name the nameless genre" through creation of the related website (http://www.lablit.com/), and featuring a short piece of the author's fiction ("Latent"), with a thoughtful afterword reflecting on the investigation of viruses, cautioning that "science is not ... confined to the laboratory," but that "the messages soon escape," evidently into literature. In conclusion, Pilkington rightly observes that while lab lit offers "possible ways into science" for the uninitiated, "just as a bridge can be crossed in either direction, lab lit works as an introduction to literature for scientists" as well. With her caveat that it is "not intended as a teacher's guide," Pilkington frames this collection as a direct invitation, beckoning new readers to the lab lit genre itself. Summing Up: Highly recommended. All readers.


— Choice Reviews


Mixing discussions of science fiction and science in fiction (also known as “lab lit”), the anthology provides thoughtful analyses of print and visual texts that reference scientific ideas and practices. Lab Lit’s accessible prose makes it an ideal source for students interested in considering the roles sciences play in a range of literary works from Frankenstein to Flight Behavior and in appreciating critical approaches to the scientific imaginary. Both students and scholars can also benefit from the useful bibliographies provided with the essays.
— Carol Colatrella, Georgia Institute of Technology


Lab Lit

Exploring Literary and Cultural Representations of Science

Cover Image
Hardback
Paperback
Summary
Summary
  • Lab Lit: Exploring Literary and Cultural Representations of Science is the first formal, systematic, scholarly investigation of laboratory literature from the perspective of literary studies. Lab Lit as a new genre has received a lot of public and media attention due to its compelling presentation of science practitioners and the relatable explanations of the scientific advancements that have shaped modern society and will continue to do so. However, the genre has been largely overlooked by scholars. This book is an introduction to the world of science for those who up till now have been immersed primarily in the world of literature. The anthology contains essays that discuss Lab Lit novels using a variety of analytical approaches. It also features theoretical essays that explore the social and literary backgrounds of Lab Lit and help the reader position the critical pieces within appropriate contexts.
Details
Details
  • Lexington Books
    Pages: 274 • Trim: 6⅜ x 9
    978-1-4985-6598-1 • Hardback • October 2019 • $123.00 • (£95.00)
    978-1-4985-6600-1 • Paperback • March 2022 • $41.99 • (£35.00)
    Subjects: Literary Criticism / Science Fiction & Fantasy, Literary Collections / General, Literary Criticism / Modern / 21st Century
Author
Author
  • Olga A. Pilkington is Assistant Professor of English at Dixie State University.


    The late
    Ace G. Pilkington was professor of English and history at Dixie State University.
Table of Contents
Table of Contents
  • Preface, Olga A. Pilkington and Ace G. Pilkington

    Introduction: What’s in a Name?, Olga A. Pilkington

    Chapter 1: Frankenstein, Scientism, and the Cultural Reception of Discovery, Amanda Scott

    Chapter 2: Female Scientists Under Strain: Transitions From Lab To Lit To Screen, Dean Conrad and Lynne Magowan

    Chapter 3: Lab Lit and Science Fiction: Similarities and Separations, Ace G. Pilkington

    Chapter 4: Lab Lit and Popular Science, Olga A. Pilkington

    Chapter 5: Where Science Meets Fiction: A History and Theory of Laboratory Production, Matt Hadley

    Chapter 6: The Use of Forensic Techniques to Uncover Social Disorder in Caleb Carr’s Alienist Novels, Kimberley H. Idol

    Chapter 7: Barbara Kingsolver’s Flight Behavior: The Sciences in a Post-Fact World, Theda Wrede

    Chapter 8: The Short Fiction of Andrea Barrett: Lab Lit as Sociology of Science, Stephanie Chidester

    Chapter 9: The Honest Look at Science and Poetry, Elaine Pearce

    Chapter 10: Addressing the Gender Gap in STEM through Theatre, Eileen Trauth and Suzanne Trauth

    Chapter 11: Using Science in Writing Mystery Novels, Beverly Connor

    Case Study: Lab Lit: Illuminating a Hidden World through the Medium of Fiction, Jennifer Rohn

    Conclusion
    About the Contributors
Reviews
Reviews
  • This unique collection of contributed essays explores the cultural representation of science and scientists through literary texts. Its chapters provide creative, thought-provoking, and carefully curated observations about lab lit, bookended by a welcoming introduction to the genre by Olga Pilkington (Dixie State Univ.): "There is humor ... drama ... suspense ... [and] there is love—a life of science is a full one," she asserts. The final essay ("Illuminating a Hidden World through the Medium of Fiction") offers a case study, recounting contributor Rohn's decision to "name the nameless genre" through creation of the related website (http://www.lablit.com/), and featuring a short piece of the author's fiction ("Latent"), with a thoughtful afterword reflecting on the investigation of viruses, cautioning that "science is not ... confined to the laboratory," but that "the messages soon escape," evidently into literature. In conclusion, Pilkington rightly observes that while lab lit offers "possible ways into science" for the uninitiated, "just as a bridge can be crossed in either direction, lab lit works as an introduction to literature for scientists" as well. With her caveat that it is "not intended as a teacher's guide," Pilkington frames this collection as a direct invitation, beckoning new readers to the lab lit genre itself. Summing Up: Highly recommended. All readers.


    — Choice Reviews


    Mixing discussions of science fiction and science in fiction (also known as “lab lit”), the anthology provides thoughtful analyses of print and visual texts that reference scientific ideas and practices. Lab Lit’s accessible prose makes it an ideal source for students interested in considering the roles sciences play in a range of literary works from Frankenstein to Flight Behavior and in appreciating critical approaches to the scientific imaginary. Both students and scholars can also benefit from the useful bibliographies provided with the essays.
    — Carol Colatrella, Georgia Institute of Technology


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