Classical Myth in Alfred Hitchcock’s Wrong Man and Grace Kelly Films is certainly a rewarding. . . read. . . To anybody interested in the subject, I would suggest starting with the author’s Classical Myth in Four Films of Alfred Hitchcock before approaching this very profound piece of classical reception studies. Analysing Hitchcock films along the lines of (and as a helpful comparison to) classical myth is not an entirely new approach. Padilla’s book, however, takes it to the next level and is therefore recommended not only to specialists, but also to everyone interested in classical myth as a dynamic phenomenon.