Bilingual and Multicultural Perspectives on Poetry, Music, and Narrative

The Science of Art

Norbert Francis

Poetry, music, and narrative are the three aesthetic genres based on uniquely human verbal and vocal capabilities. Universal across all languages and cultures and accessible to all developing children, their foundation must be primary and essential. How did they arise among our early ancestors, and what does this origin imply about our participation in their creation and performance? How do we learn poetic, narrative, and musical abilities? Studying these questions from a scientific point of view requires a cross-cultural approach that also considers contact and interaction between different languages. Research in recent years has made significant progress toward a better understanding of the underlying competencies in literature and music and of the acquisition of artistic sensibility in each case. Bilingual and Multicultural Perspectives on Poetry, Music, and Narrative reviews the relevant research and, at the same time, challenges popular views in academia associated with cultural studies and related fields that have rejected the methods of modern science. Its contributions will be of particular value to students and scholars of linguistics, literary studies, and musicology.

Lexington Books

Pages: 276 • Trim: 6½ x 9½

978-1-4985-5183-0 • Hardback • August 2017 • $123.00 • (£95.00)

978-1-4985-5184-7 • eBook • August 2017 • $116.50 • (£90.00)

Subjects: Language Arts & Disciplines / Linguistics / Sociolinguistics, Social Science / Culture, Social Science / Anthropology / Cultural

Bilingual and Multicultural Perspectives on Poetry, Music, and Narrative

The Science of Art

Hardback

eBook

Summary

Poetry, music, and narrative are the three aesthetic genres based on uniquely human verbal and vocal capabilities. Universal across all languages and cultures and accessible to all developing children, their foundation must be primary and essential. How did they arise among our early ancestors, and what does this origin imply about our participation in their creation and performance? How do we learn poetic, narrative, and musical abilities? Studying these questions from a scientific point of view requires a cross-cultural approach that also considers contact and interaction between different languages. Research in recent years has made significant progress toward a better understanding of the underlying competencies in literature and music and of the acquisition of artistic sensibility in each case. Bilingual and Multicultural Perspectives on Poetry, Music, and Narrative reviews the relevant research and, at the same time, challenges popular views in academia associated with cultural studies and related fields that have rejected the methods of modern science. Its contributions will be of particular value to students and scholars of linguistics, literary studies, and musicology.

Details

Lexington Books

Pages: 276 • Trim: 6½ x 9½

978-1-4985-5183-0 • Hardback • August 2017 • $123.00 • (£95.00)

978-1-4985-5184-7 • eBook • August 2017 • $116.50 • (£90.00)

Subjects: Language Arts & Disciplines / Linguistics / Sociolinguistics, Social Science / Culture, Social Science / Anthropology / Cultural

Author

Norbert Francis is professor of bilingual/multicultural education at Northern Arizona University.

Table of Contents

Preface
1 The verbal and musical arts across languages and cultures
Part I: Poetry
2 The cognition of stories and poems
3 In the beginning
4 Poetry across languages and cultures
Part II: Music
5 First music and second music acquisition
6 The origin of music in art and science
Part III: Narrative
7 Creationist pseudoscience in the American university
8 New opportunities for narrative inquiry
9 Theory and creativity in literary and musical education