Lexington Books
Pages: 358
•
Trim: 6¼ x 9½
978-1-4985-3984-5 • Hardback • August 2017 • $142.00 • (£109.00)
978-1-4985-3986-9 • Paperback • May 2019 • $53.99 • (£42.00)
978-1-4985-3985-2 • eBook • August 2017 • $51.00 • (£39.00)
Albrecht Classen is University Distinguished Professor of German Studies at the University of Arizona.
Introduction – Theoretical, Methodological, and Interdisciplinary Reflections
Chapter One – Water, Literature, Symbolism, and Epistemology in the Pre-Modern Age: A Pan-European Perspective
Chapter Two – Water and Voyages in the Goliardic Epic Poem of Herzog Ernst: Transformation and Maturation through Travel into the Mysterious Orient
Chapter Three – The Experience with Water in The Voyage of St. Brendan:Spiritual Epistemology in the Western Seas
Chapter Four – Water Worlds in the Lais by Marie de France: The Search for Happiness in a Fluid World
Chapter Five – Hartmann von Aue’s Gregorius: The Religious Transformation Through Water
Chapter Six – Water Symbolism in Wolfram von Eschenbach’s Parzival: The Material and the Spiritual Dimension of Water in a Middle High German Grail Romance
Chapter Seven –Mechthild of Magdeburg’s Mystical The Flowing Light of the Divinity: Spirituality, Liquidity, and Epistemology
Chapter Eight – Boccaccio’s Decameron (ca. 1351): Narrative Explorations of Tears, Water in Fountains, Wells, and in the Mediterranean
Chapter Nine – Water as Markers of Identity, Space, and Time in the Icelandic Saga Njal’s Saga: Travel, War, and Water in the World of Old Norse Literature
Chapter Ten – Water Creatures, Wells, the Other Life, Hybridity, and the Aquatic: The Myth of Melusine in the Verse Romance by Jean d’Arras
Chapter Eleven – Marguerite de Navarre’s Heptaméron and other Problems with Water: Flooding, Voyaging, Sexual Violence, and Refuge
Epilogue
This study argues that water, an underexamined motif in medieval literature, merits closer attention, especially given recent developments in ecocriticism. Seeking to remedy this neglect and show how central water was to early literature, Classen (German studies, Univ. of Arizona) offers a set of ten studies of the symbolic and spiritual uses of water in European works from the 12th through the 16th centuries, including the Goliardic Herzog Ernst; The Voyage of St. Brendan; the Lais of Marie de France; Hartmann von Aue’s Gregorius; Wolfram von Eschenbach’s Parzival; Mechthild of Magdeburg’s The Flowing Light of the Godhead; Boccaccio’s Decameron; the Icelandic Njál’s Sage; Jean d’Arras’s version of the Melusine myth; and Margaret of Navarre’s Heptameron. The book’s introduction touches on a range of other medieval texts, including Beowulf, the Romance of the Rose, and stories from the Gesta Romanorum…. Classen’s book is compendious, comparativist, and learned…. [I]t is a good place to start thinking about the significance of water in early texts. Summing Up: Recommended. Upper-division undergraduates through faculty.
— Choice Reviews
Classen’s Water in Medieval Literature makes a unique, and uniquely valuable, contribution to the developing field of medieval eco-criticism.... The theme of the book is well explored in academic prose that is remarkably lucid and jargon-free. Thus the chapters will be comprehensible to an undergraduate student and yet still very beneficial to an advanced scholar. The latter will find in the book a comprehensive bibliography and numerous, highly-detailed footnotes connecting Classen’s literary analysis to relevant medieval and eco-critical scholarship.... As eco-critical scholarship is now coming to prominence across the disciplines and in scholarship concerning all historical periods of literature, I recommend this valuable book not only to medievalists, whom it will certainly interest, but also to all eco-critical literary scholars. A broad audience will certainly benefit from a deeper understanding of water in the pre-modern period. This book makes a ground-breaking contribution to literary and eco-critical scholarship, and it deserves wide attention.
— Mediaevistik
This is a most timely, innovative approach to medieval-renaissance literature. It is an encyclopedic contribution to ecocriticism.
— Nadia Margolis, Amherst College