Lexington Books
Pages: 266
Trim: 6 x 9
978-1-4985-3912-8 • Hardback • December 2017 • $123.00 • (£95.00)
978-1-4985-3914-2 • Paperback • October 2019 • $50.99 • (£39.00)
978-1-4985-3913-5 • eBook • December 2017 • $48.00 • (£37.00)
Michelle C. Pautz is associate professor of political science and assistant provost of the Common Academic Program at the University of Dayton.
Illustrations
Tables
Acknowledgments
Chapter 1: The Intersection of Film and Government
Chapter 2: The History and Economics of Hollywood
Chapter 3: Audiences, the Influence of Film and Socialization
Chapter 4: Popular Film and its Depiction of Government
Chapter 5: Celluloid Civil Servants
Chapter 6: Prominent Civil Servants on Screen: Cops and Intelligence Officers
Chapter 7: Film, Policy, and Audience Attitudes
Chapter 8: Are They Ready for their Close-Up? Themes and Implications
Appendix I: Films Included in Study
Appendix II: Specific Types of Government Characters
Appendix III: Cop Films Included in Chapter 6
Appendix IV: Total Box Office Receipts, 1929–2016
Appendix V: Number of Cinemas and Screens in the U.S.
Bibliography
About the Author
In this lively and well-researched book, Dr. Pautz tells us much about how we view the government through the stories we tell. I strongly recommend this book to those students, teachers, and writers who are interested in the intersection of politics and film.
— Daniel P. Franklin, Georgia State University
Michelle Pautz brings her life-long passion for films and the movie-going experience, along with her considerable insights concerning public administration, to help us understand how civil servants and government workers are portrayed on the screen. The implications of how these individuals and their jobs are portrayed, a reflection of the public’s attitudes, fears, and hopes about government and civil servants, have implications for public sector support and efficacy. In Civil Servants on the Silver Screen, Pautz utilizes a conversational tone to challenge readers to think about their preconceived ideas and biases regarding government. She also demonstrates how films shape and reinforce audience perceptions. This invaluable text highlights the role of government workers, who are often overlooked. This type of book, research, and inquiry is long overdue.
— Mark Sachleben, Shippensburg University