Creating a Black Vernacular Philosophy explores how everyday Black vernacular practices, developed to negotiate survival and joy, can be understood as philosophy in their own right. Devonya N. Havis argues that many unique cultural and intellectual practices of African diasporic communities have done the work of traditional philosophies. Focusing on creative practices that take place within Black American diasporic cultures via narratives, the blues, jazz, work songs, and other expressive forms, this book articulates a form of Black vernacular Philosophy that is centered within and emerges from meaning structures cultivated by Black communities. These distinct philosophical practices, running parallel with and often improvising on European philosophy, should be acknowledged for their rigorous theoretical formation and for their disruption of traditional Western philosophical ontologies.
Devonya N. Havis is associate professor of philosophy at Canisius College and the University at Buffalo.
Chapter 1: Performative Utterance
Chapter 2: How to Slip the Yoke: The Black (W)Hole Ritual
Chapter 3: Searching for the Black Difference: Black Philosophy and Redemption Songs
Chapter 4: A Critique of Black Philosophy: Rethinking Black Philosophical Re-appropriations of Humanism
Chapter 5: No More Redemption Songs: The Black Difference and Alterity
Devonya Havis’ book is what thinking looks like when it tends to possibility. Powerful in its reminder about the deeply ethical stakes of theory, it clarifies why that theory is better off when ‘bent and blued’ by Black Vernacular phenomenon. Using thinkers like Ellison, DuBois, and Dunbar to deconstruct Western theory’s deconstructivist turn, Havis calls attention to what awaits when we unsettle – with the theoretical interventions of Black Vernacular phenomenon - Western theory’s obsessions with dogma and transparency. What awaits, no doubt, is a way of thinking otherwise, and a way of doing philosophy as performative utterance. Black Difference - as conceptual overflow, sonic un-capturability, and liminal archaic articulation - is at the center of all this. Havis’ book is a must-read for anyone interested in those ‘bent and blued’ road maps that move from Black Difference toward something like revolution, in the register of possibility.