Lexington Books
Pages: 290
•
Trim: 6 x 8 3/4
978-1-4985-2811-5 • Hardback • October 2016 • $110.00 • (£75.00)
978-1-4985-2813-9 • Paperback • November 2018 • $39.99 • (£24.95)
978-1-4985-2812-2 • eBook • October 2016 • $38.00 • (£24.95)
Richard J. Schneider is professor emeritus of English at Wartburg College
Dark Nature and the American Canon- Gina Claywell, “’Famine is a Frightful Monster’: Constructing Nature in Colonial Road Trips by Sarah Kemble Knight and William Byrd II”
- Elizabeth Kubek, “‘Passage into New Forms’: The Negative Ecologies of Charles Brockden Brown”
- Mark Henderson, “Dutchmen on the Brink: The Ghost Ship as Avatar of Dark (American) Nature in Poe’s ‘MS. Found in a Bottle.’”
- Jesse Curran, “Thoreau’s Week and the Work of the Eco-lament”
- Frederico Bellini, “The Gnostic Dark Side of Nature in Herman Melville and Cormac McCarthy: Carrying the Fire out of Arcadia”
- Jennifer Schell, “Fiendish Fumaroles and Malevolent Mud Pots: The EcoGothic Aspects of Owen Wister’s Yellowstone Stories”
- Monika M. Elbert, “Frontiersmen, Robber Barons, Architects, and the Darkening Aesthetics of Nature in Willa Cather’s A Lost Lady”
Richard J. Schneider, “The Dark Side of Two Nature Writing Genres: Nature Noir and Wisconsin Death Trip” ‘Nature’ in Cold War American Literature”
11. Rachel Paparone, “Anti-pastoral Imagery and the Search for Cajun Identity”
The Wilding”Southern Reach Trilogy”16. Robin Murray and Joseph Heumann, “Eco-Horror Cinematic Techniques in Television Nature Documentaries: Monsters Inside Me and the Dark Side of Nature”17. David LaRocca, “Hunger in the Heart of Nature: Werner Herzog’s Anti-Sentimental Dispatches from the American Wilderness (Reflections on Grizzly Man)”
Building on Timothy Morton’s concept of 'dark ecology,' Richard Schneider, a leading Thoreau scholar, has assembled a wide-ranging collection of essays that explore an American literary tradition of disturbing, sinister, and fearful encounters with nature. These 'anti-pastoral' writings provide new perspectives on the continually expanding discourse of ecocriticism.
— David M. Robinson, Oregon State University
Offering smart treatments of nature’s disinterest, disease, and horrors, these canon-busting essays on both historical and contemporary print and non-print media jolt ecocriticism away from any remaining tendency to rest in pastoral idealism.
— Rochelle Johnson, College of Idaho