Lexington Books
Pages: 220
Trim: 6⅜ x 9¼
978-1-4985-1261-9 • Hardback • August 2015 • $114.00 • (£88.00)
978-1-4985-2299-1 • Paperback • May 2017 • $55.99 • (£43.00)
978-1-4985-1262-6 • eBook • August 2015 • $53.00 • (£41.00)
Elwood Watson is professor of history, gender studies, and African-American studies at East Tennessee State University.
Jennifer Mitchell teaches at Weber State University.
Marc Shaw is associate professor of Theater Arts at Hartwick College.
Acknowledgements- Introduction
Reading Into Girls, Writing What We ReadElwood Watson, Jennifer Mitchell and Marc E. ShawChapter 1She's Just Not That Into You: Dating, Damage and GenderJennifer MitchellChapter 2The Body Police: Lena Dunham, Susan Bordo and HBO Girls Joycelyn Bailey Chapter 3Owning Her Abjection: Lena Dunham's Feminist Body Politics Maria San Filippo Chapter 4Girls' Issues: The Feminist Politics of Girls Celebration of The TrivialYael Levy Chapter 5Falling from Pedestals: Dunham’s Cracked Girls and BoysMarc E. Shaw Chapter 6Capitalizing on Cool: The Music That Makes Girls Hank Willenbrink Chapter 7Generation X Archtypes and HBO Girls Tom PaceChapter 8Reading Girls: Bringing Sexy Back To GirlsLaura WitheringtonChapter 9Lena Dunham: The Awkward/Ambiguous Politics of A Millennial White Girl Elwood WatsonChapter 10Marnye On the Ones and Twos: Appropriating Race, Criticizing Class in GirlsLloyd Isaac Vayo
HBO’s Girls first aired in 2012, and the contributors to this volume examine the show’s first three seasons and analyze popular discourse surrounding creator Lena Dunham. Girls is both acclaimed and panned in popular media, and the contributors tease out debates over the show’s feminism and its identity and body politics. Two of the strongest essays, Jocelyn Bailey's 'The Body Police' and Maria San Filippo's 'Owning Her Abjection,' focus on discourse about Dunham’s body (both on screen and off) and do a good job of blending theory and textual analysis. Other essays focus on how Girls treats race, music, class, and millennial struggle and privilege. Elwood Watson is deft in critiquing the show’s racial politics and lack of diversity. Fans and critics of the show’s male characters (particularly Adam and Ray) will also find more than enough to ponder in this book. Though there is a tendency across the essays to focus on the same episodes ('One Man’s Trash' and 'Vagina Panic,' for example), readers can forgive the repetition because it comes with smart commentary. Summing Up: Recommended. All readers.
— Choice Reviews