Lexington Books
Pages: 222
•
Trim: 6¼ x 9½
978-1-4985-1989-2 • Hardback • November 2017 • $117.00 • (£90.00)
978-1-4985-1991-5 • Paperback • August 2019 • $55.99 • (£43.00)
978-1-4985-1990-8 • eBook • November 2017 • $53.00 • (£41.00)
Robin Andersen is professor of communication and media studies at Fordham University.
Contents
Introduction: Evolving Stories of the Storm
Chapter 1— Demonizing the Victims of the Storm: Disaster Myth Coverage of Katrina
Chapter 2—Characters on Unstable Ground: Dancing Between Fact and Fiction
Chapter 3—What’s In A Name? Race and Place on Treme
Chapter 4—Mardi Gras Indians: The Spiritual First Responders
Chapter 5—Pioneering Televisual Strategies: Music is a Character
Chapter 6—Janette’s Journey: Food, Culture, Cuisine and Identity
Chapter 7—Crime, Race and Police Corruption: News and Investigative Journalism on Treme
Chapter 8—Critical Acclaim and the Critics
Conclusion: Why Treme Matters
Bibliography
About the Author
Andersen’s book has many strengths, particularly its wide scope and its thoughtful response to Treme’s critics. . . Andersen’s chapters all serve to strengthen the book’s thesis about Treme’s accomplishments. . . . Andersen helps to build the television program’s goodwill through evenhandedly analyzing the program itself and its context and adding to the critics’ discourse. Through this work, Andersen supplements how a person may watch and enjoy Treme.
— International Journal of Communication
A hard, but important truth to tell. This book does it well while going up and down in and out and around the complexities of bewildering complications of forms of communication like New Orleans jazz.
— Gwendolyn Midlo Hall, Rutgers University, Professor Emeritus
Robin Andersen brings her considerable expertise in social justice, media economics, and cultural analysis to this definitive treatment of HBO’s Treme. That fictional series dramatized the devastating impact of Hurricane Katrina and institutionalized racism on the Black residents of New Orleans. It also celebrated Black families, Black social networks, Black art, Black cuisine, Black English, Black history, and Black music. For all of these reasons, Treme matters to American television, to the struggle for social justice, and to every American committed to “liberty and justice for all.” That’s why Andersen’s HBO's Treme and the Stories of the Storm truly matters.
— Eileen R. Meehan, Southern Illinois Univeristy, Carbondale
HBO’s Treme and the Stories of the Storm positions the show as an important counter-narrative to the Katrina-era mass-media demonization of New Orleanians that drew on ancient prejudices and stereotypes. Producer David Simon and his many collaborators offered a parade of ways to think about New Orleans, brilliantly exploring the city’s complicated spaces and making the case for it as the world-class cultural jewel it is—and above all, making the case for its humanity. As the period tracked by Treme fades into history and the show enters the canon, Robin Andersen offers a defense of its achievements, analyzing its complexities and unpacking its themes. Reading it made me want to watch the whole series again.
— Ned Sublette, author of The World That Made New Orleans and The Year Before the Flood