Lexington Books
Pages: 256
•
Trim: 6¼ x 9¼
978-0-7391-7948-2 • Hardback • April 2013 • $105.00 • (£81.00)
978-1-4985-1175-9 • Paperback • February 2015 • $57.99 • (£45.00)
978-0-7391-7949-9 • eBook • April 2013 • $55.00 • (£42.00)
Lauren Shaw is an associate professor of Spanish at Elmira College where she teaches Hispanic Studies in the Romance Language Program and hosts a Spanish language radio program called Voces.
Introduction
Lauren Shaw
Part I: Music and Agency
Chapter 1: Singing the City, Documenting Modernization: Cortijo y su combo and the Insertion of the Urban in 1950s Puerto Rican Culture
Carmelo Esterrich
Chapter 2: Shattering Myths: Brazil: Brazil’s Tropicália Movement
John R. Baldwin and Phillip J. Chidester
Chapter 3: The Mockingbird Still Calls for Arlen: Central American Songs of Rebellion, 1970-2010
Juan Carlos Ureña
Chapter 4: Social Denunciation of the Politics of Fear: Rock Music through the Eighties in Argentina, Chile and Peru
Lisette Balabarca
Chapter 5: The Politics of Language, Class, and Nation in Mexico’s Rock en español Movement
Ignacio Corona
Chapter 6: Witnessing Forced Internal Displacement in Colombia Through Vallenato Music
Diana Rodríguez Quevedo
Chapter 7: Rich Poetry: Cuban Voices of Possibility
Lauren Shaw
Part II: Conversations on Music and Social Change
Ruben Blades, New York City
Habana Abierta, Madrid
Roy Brown, Mayagüez,
Ana Tijoux, Boston
Mare Advertencia Lirika, Oaxaca via Skype
Like a patchwork quilt, the book offers its readers insights into a variety of historical situations and geographical locations, all characterized by similar, though by no means identical, political circumstances. It shows readers a mosaic of various ways in which music has been deployed to chronicle, contest, and transform historical developments in Latin America between 1950 and 2000.... Given its wide-ranging disciplinary scope, accessible presentation, and the absence of unduly technical musical analysis, this book has the potential to appeal to a broad readership. It will be of interest to historians as a guide to ways of appreciating more deeply the role of music in the making and changing of history; to scholars of popular music and ethnomusicologists interested in the specific impact and role of music in its respective social and geographical context; to literary and Spanish studies scholars and even to religious studies scholars, given that some of the contributors have also incorporated analyses of religion and theological movements in the region into their discussion.... This volume underlines the benefits of academic interaction across disciplinary boundaries. Historians, ethnomusicologists, and literary and cultural studies scholars stand to benefit greatly from the deeper understanding of historical and social contexts that greater engagement with music could facilitate.
— H-Net: Humanities and Social Science Reviews Online
Song and Social Change in Latin America, edited by Lauren Shaw, is an accessible, interdisciplinary collection.
— Latin American Research Review
[This book]is a must-read for all those interested in building an emancipatory politics of the twenty first century. It opens a poetics of possibility which shines new light on the importance of taking seriously the cultural, the popular and the everyday in social change and political transformation. The collection takes us on a journey that crosses geographical, cultural, political and epistemological borders. . . .[The book's] playful use of form, combining traditional scholarly analysis of song with six interviews with musicians . . . contributes to its ability to stimulate the critical imagination and to open emancipatory horizons. The thirteen unique contributions highlight some of the generic ways in which song-poetry facilitates social change. . . .This volume is to be actively and tenderly explored. Through an embodied act of reading we can become active interlocutors with the text, listening to the traditions discussed. Through savouring the text in this way, we enter a dialogue of knowledges that engages our head, heart, body and imagination. Song and Social Change in Latin America transgresses borders. For this reason it is a gem.
— Bulletin of Latin American Research
With a light hand, Lauren Shaw and the contributors to her edited collection, Song and Social Change in Latin America, wonderfully interpret the importance of song in postwar Latin American history, linking it to experiences of work, family, protest, and migration. The collection, which includes interviews with a number of musicians, reads like a poem or the liner notes to the soundtrack of a generation that took to heart Emma Goldman’s insistence that to be a revolutionary meant to affirm ‘life and joy’ though music and dance.
— Greg Grandin, New York University
This volume presents useful documentation and perspectives on an important dimension of modern Latin American culture. Through song texts, scholarly interpretations, and revealing interviews with articulate artists, it provides much insight into an important chapter in the cultural history of the Americas, from Argentina to the Bronx.
— Peter L. Manuel, John Jay College and the Graduate Center, CUNY