Lexington Books
Pages: 210
•
Trim: 6 x 9
978-0-7391-7182-0 • Hardback • December 2014 • $97.00 • (£75.00)
978-1-4985-0762-2 • Paperback • August 2016 • $44.99 • (£35.00)
978-0-7391-7183-7 • eBook • December 2014 • $42.50 • (£33.00)
Olaf Kuhlke is associate professor of geography and associate dean of the College of Liberal Arts at the University of Minnesota Duluth.
Adam M. Pine is assistant professor of geography and director of the Urban and Regional Studies Program at the University of Minnesota Duluth.
Introduction, Olaf Kuhlke and Adam M. Pine
Chapter 1: Cultural Survival as a Geographic Paradox: The Case of Flamenco, Yuko Aoyama
Chapter 2: Irishness and Step Dancing in Newfoundland and Labrador, Kristin Harris Walsh
Chapter 3: Dancing in Foam City: Berlin and the Viscous Embodiment of German National Identity at the Love Parade, 1989-2006, Olaf Kuhlke
Chapter 4: Human Kind in the Apex of Borders: Artistic and Expressive Communication in Projected Images, Dance, and Narrative, Mary Lynn Babcock and Lynnette Young Overby
Chapter 5: Tango: A Cognitive Companionship from the Street to the Classroom, France Joyal
Chapter 6: Salsa Cosmopolitanism: Situating the Dancing Body as Part of the Global Cosmopolitan Project, Adam M. Pine
Chapter 7: From Streetlights to Stagelights to Cyberity and Back: Dance in (Geographic) Space, Carla Walter and Steve Smith
Conclusion: Valorizing the Many Different Spaces of Dance: Co-opting the Cultural Choreography of Globalization, Adam M. Pine and Olaf Kuhlke
This book underscores the fact that dance is a geography and geography is a dance. By cross-pollinating the two disciplines, the authors produce a third wondrous hybrid. Their book is compulsory reading for all those who want to understand the place of dance.
— Nigel Thrift, University of Warwick
We all know globalization is a process of cultural amalgamation, but what does this imply at the level of bodies? This book breaks new ground in both dance/performance studies and cultural geography by asking how the global and the (inter)national are danced. Clearly, dancing is not only an eruption of sensual pleasure but condenses some of the most important sociopolitical processes at work in today’s world.
— Arun Saldanha, University of Minnesota
Brimming with engaging ethnographic insight, Global Movements offers a series of sure-footed and lively explorations of the charged zone between identity, geography, and dance. It is essential reading for anyone interested in thinking critically about what is at stake when the cultural and the corporeal are choreographed through the spaces of moving bodies.
— Derek McCormack, University of Oxford