Rowman & Littlefield Publishers
Pages: 142
•
Trim: 6¼ x 9⅜
978-1-4758-2878-8 • Hardback • September 2017 • $74.00 • (£57.00)
978-1-4758-2879-5 • Paperback • September 2017 • $38.00 • (£30.00)
978-1-4758-2880-1 • eBook • September 2017 • $36.00 • (£30.00)
Anthony Fulton received his PhD in English from Southern Illinois University, Carbondale, in 2015, specializing in Writing Across the Curriculum (WAC). He teaches composition and argumentation courses at Prince George’s Community College.
Christopher B. Field received his PhD in English from Southern Illinois University, Carbondale, in 2015, his MA in English from the University of Dayton in 2005, his BA in English from the University of Cincinnati in 2003, and his AA from Sinclair Community College in 2001. He has served as an Assistant Professor of English in the Languages, Literature, and Philosophy department at Tennessee State University since 2015.
Michael MacBride received his PhD in English from Southern Illinois University, Carbondale, in 2014, his MA in literature from Minnesota State University, Mankato, and his BS in creative writing from Eastern Michigan University. Since 2005, he has taught a variety of English, literature, and humanities courses at six different institutions.
Acknowledgements
Introduction: The Role of Stories and Narratives in Composition
Section One: Breaking Barriers
Chapter 1: Breaking the Ice: The Teacher as “Story”
Chapter 2: Using Narratives in First-Year Composition Courses to Allow Students to Confront the Traumatic
Chapter 3: Narratives as Gateways to Reflection
Chapter 4: Narratives as a Catalyst for Research
Chapter 5: As the Semester Ends: The Writing Portfolio as Narrative
Chapter 6: Stories in an Online Environment
Section Two: Implications and Conclusions
Chapter 7: “Why Did You Give Me Such a Bad Grade?”: Providing Constructive Assessment of Narratives
Chapter 8: “Yes, But…”: Establishing a Language Base for Working With Stories
Chapter 9: Implications for New Teacher Training
Bibliography
About the Authors
Index
Beyond ‘What I Did on My Summer Vacation’ -- finally, a text that makes a convincing case for integrating narrative writing with research and argumentation in English Composition. Fulton, MacBride, and Field firmly root their book in composition and rhetoric scholarship while offering practical, useful teaching tools for FYC instructors. A confessed skeptic on the uses of narrative in English Composition, by the time I finished reading I was coming up with my own ideas for how narrative might be repurposed for argumentative essays. Tell Me a Story is persuasive.
— Melinda G. Kramer, professor emerita and English department chair, Prince George’s Community College and author of The Prentice Hall Handbook for Writers
I tend to shy away from teaching forms of narrative in my first-year composition classes, mainly because the genre has potential for raw, intimate, and even uncomfortable story lines from students. This text dismantled my skepticism by offering practical pedagogy that validates the rich benefits that narratives can offer both teachers and students. Outlined in such a way that it reads like a ‘guide to the semester,’ this text offersactivities from day one in the classroom, to the process of understanding and affirming the narrative genre, to writing narratives, and then to reflecting on the writing process and including the narrative in a writing portfolio. The authors have carefully constructed an activity-based text crafted from tensions, uncertainties, and learned lessons that are relatable and perfect for any instructor who wants or needs guidance through the narrative genre.
— Heidi Maria Williams, professor of Rhetoric and Composition, Tennessee State University