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Jarocho's Soul

Cultural Identity and Afro-Mexican Dance

Anita González

Brown-skinned men and women move across Mexico's national stages dancing the folkloric jarocho, a symbolic blend of Spanish, Native American, and African cultures. Jarocho's Soul: Cultural Identity and Afro-Mexican Dance traces the evolution and transformation of an Afro-Mexican dance form into a national cultural icon. It is an ethnographic study that compares and contrasts Mexican performance of national identity with Untied States dance styles. The book uses the image of the jarocho as a window to explore the phenomena of racial/cultural mixing that is endemic to Mexico and increasingly apparent in the politics and aesthetics of United States cultural performances.
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University Press of America
Pages: 182 •
978-1-4617-3973-9 • eBook • February 2004 • $47.50 • (£37.00)
Subjects: Art / History / General
Anita González is Assistant Professor in the School of Theatre, Florida State University.
Chapter 1 List of Illustrations
Chapter 2 Preface
Chapter 3 Acknowledgments
Chapter 4 Introduction: Crafting Self; Frames of Reference; Locale and Methodology; Chapter Overviews
Chapter 5 Cultural Mixing and Mexican Performance: Mapping Art: Cultural Contexts; Studies in Revolutionary Nationalism: Manuel Ponce; Amalia Hernandez; Celestino Gorostiza; A Legacy of Performance Strategies; Provincial Identity
Chapter 6 Roots of Jarocho Dance
Chapter 7 Jarocho as Folkloric Dance: State Images Ballet Folklórico del la Universidad Veracruzana; Miguel Velez and the Authenticity Mission; Raices del Pueblo (The Peoples' Roots)
Chapter 8 Jarocho as Theater: Company History, Veracruz, Veracruz Interprets Jarocho; Actors' Interpretive (Re)Circulations in Veracruz, Veracruz; Implications and Interpretations
Chapter 9 Remembering and Transforming the Past: Fiesta de las Cruces; Rewriting Government Agendas
Chapter 10 Conclusion
Chapter 11 Glossary
Chapter 12 References
Chapter 13 Index

Jarocho's Soul

Cultural Identity and Afro-Mexican Dance

Cover Image
Summary
Summary
  • Brown-skinned men and women move across Mexico's national stages dancing the folkloric jarocho, a symbolic blend of Spanish, Native American, and African cultures. Jarocho's Soul: Cultural Identity and Afro-Mexican Dance traces the evolution and transformation of an Afro-Mexican dance form into a national cultural icon. It is an ethnographic study that compares and contrasts Mexican performance of national identity with Untied States dance styles. The book uses the image of the jarocho as a window to explore the phenomena of racial/cultural mixing that is endemic to Mexico and increasingly apparent in the politics and aesthetics of United States cultural performances.
Details
Details
  • University Press of America
    Pages: 182 •
    978-1-4617-3973-9 • eBook • February 2004 • $47.50 • (£37.00)
    Subjects: Art / History / General
Author
Author
  • Anita González is Assistant Professor in the School of Theatre, Florida State University.
Table of Contents
Table of Contents
  • Chapter 1 List of Illustrations
    Chapter 2 Preface
    Chapter 3 Acknowledgments
    Chapter 4 Introduction: Crafting Self; Frames of Reference; Locale and Methodology; Chapter Overviews
    Chapter 5 Cultural Mixing and Mexican Performance: Mapping Art: Cultural Contexts; Studies in Revolutionary Nationalism: Manuel Ponce; Amalia Hernandez; Celestino Gorostiza; A Legacy of Performance Strategies; Provincial Identity
    Chapter 6 Roots of Jarocho Dance
    Chapter 7 Jarocho as Folkloric Dance: State Images Ballet Folklórico del la Universidad Veracruzana; Miguel Velez and the Authenticity Mission; Raices del Pueblo (The Peoples' Roots)
    Chapter 8 Jarocho as Theater: Company History, Veracruz, Veracruz Interprets Jarocho; Actors' Interpretive (Re)Circulations in Veracruz, Veracruz; Implications and Interpretations
    Chapter 9 Remembering and Transforming the Past: Fiesta de las Cruces; Rewriting Government Agendas
    Chapter 10 Conclusion
    Chapter 11 Glossary
    Chapter 12 References
    Chapter 13 Index

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