Scarecrow Press
Pages: 384
Trim: 6½ x 9½
978-0-8108-5880-0 • Hardback • February 2007 • $147.00 • (£113.00)
978-0-8108-5873-2 • Paperback • February 2007 • $99.00 • (£76.00)
978-1-4617-1665-5 • eBook • February 2007 • $94.00 • (£72.00)
Dr. Konrad Dryden is professor of music and German at the University of Maryland-Europe and a frequent lecturer on verismo.
Part 1 Foreword by Plácido Domingo
Part 2 Foreword by Peira Leoncavallo
Part 3 Acknowledgments
Part 4 Archive Key
Part 5 Introduction
Part 6 Part 1: Biography
Chapter 7 1. 1857-1877
Chapter 8 2. 1878-1888
Chapter 9 3. 1889-1892
Chapter 10 4. 1893-1894
Chapter 11 5. 1895-1897
Chapter 12 6. 1898-1905
Chapter 13 7. 1906-1911
Chapter 14 8. 1912-1915
Chapter 15 9. 1916-1919
Part 16 Part 2: Works
Chapter 17 10. La nuit de mai
Chapter 18 11. Chatteron
Chapter 19 12. I Medici
Chapter 20 13. Pagliacci
Chapter 21 14. Séraphitus-Séraphita
Chapter 22 15. La bohème
Chapter 23 16. Zazà
Chapter 24 17. Der Roland von Berlin
Chapter 25 18. Maïa
Chapter 26 19. Malbruk
Chapter 27 20. Gli zingari
Chapter 28 21. Mimì Pinson
Chapter 29 22. La reginetta della rose
Chapter 30 23. Are You There?
Chapter 31 24. La candidata
Chapter 32 25. Mameli
Chapter 33 26. Prestami tua moglie
Chapter 34 27. A chi la giarrettiera?
Chapter 35 28. Edipo re
Chapter 36 29. Pierrot au cinéma
Chapter 37 30. La maschera nuda
Chapter 38 31. Il primo bacio
Part 39 Appendix: The Leoncavallo Opus
Part 40 Bibliography
Part 41 Index
Part 42 About the Author
...the first substantial study of the composer in English...[the author] can be congratulated in assembling so much new information.
— BBC Music Magazine, August 2007
This is ideal for anyone looking for in-depth research material on this little-known composer. Highly recommended.
— Choice Reviews, October 2007, Vol. 45, No. 2
Best known as the composer of Pagliacci , Ruggiero Leoncavallo (1857-1919) created many other operatic works, including Chatterton , Der Roland von Berlin , and La bohème. Based on extensive archival research conducted by the author, this critical biography attempts to untangle and organize the facts of Leoncavallo's life while offering a relatively complete analysis of his works. Dryden teaches music at the University of Maryland University College-Europe.
— Reference and Research Book News, May 2007
Because of Dryden, he [Leoncavallo] has finally been accorded a memorial entirely unlike himself: that is, unassuming, focused, disciplined, and perilously near to perfection. The preface, by no less a performer than Plácido Domingo, merely confirms the whole project's quality. It is impossible to imagine any subsequent book on leoncavallo doing more than adding a handful of grace notes, and perhaps the very occasional cadenza, to Dryden's quietly heroic art.
— The New Criterion, June 2008
Real-life events partially inspired Ruggiero Leoncavallo's 1892 verismo shocker to make it one of the most popular operas ever written. The work also turned its composer into a "one-hit wonder." Leoncavallo, deeply troubled and insecure for most of his career, wrote operas to inspire both admiration and revulsion. When you add the chaotic state of Leoncavallo's correspondence, the challenges facing any writer of a definitive biography become apparent. Fortunately, Dryden's illuminating study succeeds despite these odds....Dryden's book proves a thorough, well-documented resource on a gifted composer tormented by the early success he was never able to duplicate. Dryden's painstaking detective work provides a solid foundation for future research. Simply put, every scholar, singer, conductor, and opera fan who admires Leoncavallo and wants to learn more about his career and personality will want to read this book. Highly recommended.
— The Opera Journal