Rowman & Littlefield Publishers
Pages: 128
Trim: 6¼ x 9¼
978-0-8476-9782-3 • Hardback • March 2000 • $140.00 • (£108.00)
978-0-8476-9783-0 • Paperback • February 2000 • $38.00 • (£30.00)
978-1-4616-3908-4 • eBook • February 2000 • $36.00 • (£30.00)
Paul Thom is dean of arts at Australian National University.
Chapter 1 Introduction
Chapter 2 1 Data and Difficulties: The La Scala Eracle, Lavoisier's Oxygen, and Various People's Shakespeare
Chapter 3 2 Structure: Schikaneder's Flugwerk, Gilda's Body, and Horowitz's Liszt
Chapter 4 3 Process: Greek Meteorology, The Potato Eaters, and Madonna's "Fever"
Chapter 5 4 Kinds
Chapter 6 5 General Rules: The Uninspired Archaeologist and Freud's Macbeth
Chapter 7 6 Special Rules: The Offstage Piano and Elvis's "Hound Dog"
Chapter 8 7 Conclusions
Chapter 9 Bibliography
Chapter 10 Index
Chapter 11 About the Author
Thom's framework is important and along the right lines. Anyone interested in interpretation should give careful consideration to these views.
— British Journal of Aesthetics
This is a very lucid and precise text, which is richly textured with illuminating and intriguing discussions of examples from painting, theatre, music, opera and the sciences. I would recommend it as a text for undergraduate courses on Interpretation —and I would have all teachers read chapter 3!>
— Jennifer A. McMahon; Australasian Journal of Philosophy
This book is suitable for those with an interest in the performing arts and are looking for a general theory that provides a conceptual framework by which to assess different performative interpretations of a piece of work.
— Philosophy in Review
This is a very lucid and precise text, which is richly textured with illuminating and intriguing discussions of examples from painting, theatre, music, opera and the sciences. I would recommend it as a text for undergraduate courses on Interpretation —and I would have all teachers read chapter 3!
— Jennifer A. McMahon; Australasian Journal of Philosophy