Rowman & Littlefield Publishers
Pages: 202
Trim: 6¼ x 9½
978-0-7425-5427-6 • Hardback • October 2007 • $125.00 • (£96.00)
978-0-7425-5428-3 • Paperback • October 2007 • $39.00 • (£30.00)
978-1-4616-3833-9 • eBook • October 2007 • $37.00 • (£30.00)
Howard Good is professor of journalism at SUNY New Paltz. He has written eleven books on the portrayal of journalists, including Acquainted With the Night and Outcasts, and he is also the author of a series of books on public education.
Chapter 1 How to Use This Book
Chapter 2 Introduction
Chapter 3 1 Responsible Journalistic Inquiry: The Paper
Chapter 4 2 Fabrication in Journalism: Shattered Glass
Chapter 5 3 Political Manipulation of the Media: Wag the Dog
Chapter 6 4 What Is Good Work?: Absence of Malice
Chapter 7 5 Deception and Undercover Journalism: Mr. Deeds Goes to Town, Mr. Deeds
Chapter 8 6 Covering Sports: The Pride of the Yankees
Chapter 9 7 When Journalists Are First Responders: Die Hard
Chapter 10 8 Style Over Substance: Broadcast News
Chapter 11 9 Ethics in Black and White: Goodnight, and Good Luck
Chapter 12 10 Crime Reporting: Veronica Guerin
Chapter 13 11 The Utopian Nature of Journalistic Truth: The Year of Living Dangerously
Chapter 14 12 Journalism and the Victims of War: Welcome to Sarajevo
Chapter 15 Afterword: Left Hanging
Chapter 16 Discussion Questions
Chapter 17 For Further Reading
Chapter 18 Selected Journalism Movies for Further Viewing
Chapter 19 Class Projects for Instructors
Whether used as a whole, by chapter, by movie, or by topic, Journalism Ethics Goes to the Movies follows its predecessor as an insightful examination of current media ethics issues and a valuable teaching tool for lectures or class discussions.
— 2008; Journal of Media Ethics
The ideal journalist! The rogue reporter! This lively book on the presentation of journalism in film has it all. The list of contributors has as much star-quality as the movies discussed, with expert ethics educators telling readers which movies they'll be showing in their classes this term and why. This book deserves space on the shelf of every scholar who thinks seriously about journalism ethics or about the presentation of journalism in popular culture.
— Deni Elliott, University of South Florida, St. Petersburg