Rowman & Littlefield Publishers / AASLH
Pages: 172
Trim: 7¼ x 10⅜
978-1-4422-7569-0 • Hardback • November 2016 • $116.00 • (£89.00)
978-1-4422-7570-6 • Paperback • November 2016 • $52.00 • (£40.00)
978-1-4422-7571-3 • eBook • November 2016 • $49.00 • (£38.00)
Robert Connolly is active in the museum field as an independent consultant and President of the Advocates for the Poverty Point World Heritage Site. He has over 25 years of experience in museums and community engagement most recently as an Associate Professor in the Museum Studies program at the University of Memphis and the Director of the C.H. Nash Museum at Chucalissa. His PhD is from the University of Illinois at Urbana-Champaign in 1996.
Elizabeth A. Bollwerk is currently an Archaeological Analyst for the Digital Archaeological Archive of Comparative Slavery (DAACS, www.daacs.org) at the Thomas Jefferson Foundation based at Monticello. She received her PhD from the University of Virginia in 2012.
Introduction- Robert P. Connolly and Elizabeth A. Bollwerk
Part 1 - Communities Making Meaning in Museum Education – Jody Stokes Casey
Case Studies- Developing High School Curriculum: The C.H. Nash Museum and Freedom Prep Charter School Project – Nur Abdalla and Lyndsey Pender
- Creating a Museum in a School: Cultural Heritage in Nivín, Perú– Gustavo Valencia Tello and Elizabeth Cruzado
- Meeting Teacher Needs: Digital Collections in the Classroom – Shana Crosson
- Using Postcard Collections as a Primary Resource in the Classroom - Brian Failing
- Words, Stone, Earth, and Paint: Using Creative Writing to Engage a Community with Its Museum – Mary Anna Evans
Part 2 – The Value of Open(ing) Authority and Participatory Frameworks for Museums – Elizabeth A. Bollwerk
Case Studies- Oral History For, About, and By a Local Community: Co-Creation in the Peruvian Highlands – Elizabeth Cruzado and Leodan Alejo Valerio
- Working with a Private Collector to Strengthen Women’s History: Sewall-Belmont House & Museum – Rebecca Price.
- Reconnecting a University Museum Collection with Hopi Farmers through an Undergraduate Class– Lisa Young and Susan Sekaquaptewa
- Our Stories, Our Places: Centering the Community as Narrative Voice in the Reinterpretation of an African American Historic Site - Porchia Moore
Part 3 – Advocacy for Heritage Professionals During the Crisis and the Calm – Sarah E. Miller
Case Studies- Making Advocacy Everyone’s Priority – Ember Farber
- Impact Statements – Demonstrating a Museum’s Public Value – Robert P. Connolly
- Small Fish, Big Pond: How to Effectively Advocate in Your Community – Melissa Prycer
Part 4 – Museums Engaging With People As A Community Resource – Robert P. Connolly
Case Studies- Taking Steps to Make a Museum Special Needs Friendly – Colleen McCartney
- Incorporating Descendent Community Voices: The Whitney Plantation – Ashley Rogers
- How Community Input Can Shape a Mission: The Proposed Eggleston Museum – Allison Hennie
- Building a Community History at the University of the West Indies Museum – Suzanne Francis-Brown
- Telling Our Town’s History: The Muscatine History and Industry Center – Mary Wildermuth
- Working to Address Community Needs: The Missouri History Museum – Melanie Adams
Part 5 – Engaging User Audiences in the Digital Landscape – Brigitte Billedeaux and Jennifer Schnabel
Case Studies- Creating a Digital Library for Community Access: A. Schwab on Beale Street – Brigitte Billedeaux
- Separating the Glitz from the Practical in Social Media at the National Underground Railroad Museum – Jamie Glavic and Assia Johnson
- How a Simple, Inexpensive Podcast Engaged an Entire Community: Chick History, Inc – Rebecca Price
- Recording the Neglected Sports Stories From the Backside - Holly Solis
- Small Museum Website Creation with a Limited Staff and Budget: The Arden Craft Shop Museum – Kelsey Ransick
Part 6 – Resources
Happily, this volume is not yet one more call for museums to engage with the communities they serve –as its editors note, that would be nothing new. Rather, the book is a “how-to” guide, illustrated with case studies drawn from a wide variety of contexts, and including a digital resource guide (linked to ancillary online content) compiled by the book’s contributors. This volume demonstrates how reciprocal, mutually empowered community engagement is a profoundly co-creative process which benefits both communities and the museums which serve them.
— Carol McDavid, Executive Director, Community Archaeology Research Institute, Inc.
Positioning Your Museum as a Critical Community Asset: A Practical Guide is a major contribution to studies about community engagement and participatory strategies in museums. Encompassing examples from more than two dozen contributors, the book is a valuable manual of tested and inexpensive "bottom-up" or "co-creation" approaches. This is a must-read not just for museum professionals but also for everyone in the critical museum studies field.
— Helaine Silverman, Professor, Department of Anthropology, University of Illinois (Urbana)