Rowman & Littlefield Publishers
Pages: 256
•
Trim: 6 x 8 3/4
978-1-4422-3747-6 • Hardback • September 2014 • $95.00 • (£65.00)
978-1-4422-7562-1 • Paperback • July 2016 • $34.00 • (£23.95)
978-1-4422-3748-3 • eBook • September 2014 • $32.00 • (£22.95)
Laura Mattoon D’Amore is assistant professor of American studies at Roger Williams University. She is the editor of Bound by Love: Familial Bonding in Film and Television Since 1950 (2009) and co-editor of We Are What We Remember: The American Past through Commemoration (2012).
Introduction, Laura Mattoon D’Amore
Chapter One: Not Just Born Yesterday: July Holliday, the Red Scare, and the (Mis-)Uses of Hollywood’s “Dumb Blonde” Image
Stephen R. Duncan
Chapter Two: The Fuzzy End of the Lollipop: Protofeminism and Collective Subjectivity in Some Like it Hot
Melissa Meade
Chapter Three: Brainy Broads: Images of Women’s Intellect in Film Noir
Sheri Chinen Biesen
Chapter Four: Troubling Binaries: Women Scientists in 1950s B-Movies
Linda Levitt
Chapter Five: “The High Priestess of the Desert”: Female Intellect and Subjectivity in Contact
Allison Whitney
Chapter Six: Mad Men’s Peggy Olsen: A Pre-Feminist Champion in a Post-Feminist TV Landscape
Stefania Marghitu
Chapter Seven: A Deeper Cut: Enlightened Sexism and Grey's Anatomy
Mikaela Feroli
Chapter Eight: “There is no genius”: Dr. Joan Watson and the Re-writing of Gender and Intelligence on CBS’ Elementary
Helen Kang and Natasha Patterson
Chapter Nine: …Stories Worth Telling: How Kerry Washington Balances Brains, Beauty, and Power in Hollywood
De Anna J. Reese
Chapter Ten: Post-Feminism, Sexuality and the Question of Millenial Identity on HBO’s Girls
Margaret J. Tally
Chapter Eleven: I Can’t Believe I Fell for Muppet Man! Female Nerds and the Order of Discourse
Raewyn Campbell
Chapter Twelve: Brains, Beauty, and Feminist Television: The Women of The Big Bang Theory
Amanda Stone
Chapter Thirteen: Too Smart for Their Own Good? Images of Young Jewish Women in Television and Film
Rachel Shaina Bernstein
About the Editor
About the Contributors
Index
D'Amore has put together a smart book on an important subject: the ways in which women of depth and intelligence are presented on the screen, or in short, the ways in which all women should be presented on the screen—i.e., with respect and understanding. Hollywood’s insulting list of shorthand tropes for supposed stupidity, a list 'dumb blonde' surely tops, gets a thorough going over in this collection of detailed, sharply observed essays by such scholars as Sheri Chinen Biesen (on women in film noir), Stefania Marghitu (on the character of Peggy Olson in the television series Mad Men), Stephen Duncan (on Judy Holliday’s participation in the film Born Yesterday), and Amanda Stone (on the female characters in the television sitcom Big Bang Theory), to name just a few of the 13 superb essays collected in this volume. D’Amore has done an excellent job with this volume, which bids fair to become a required resource for any course on women in film and television. In essays that are both insightful and delightful, the various contributors offer an entirely new approach to women as they are portrayed on the big and small screen. Summing Up: Highly recommended. All readers.
— CHOICE
Sometimes a title says it all. Smart Chicks on Screen: Representing Women’s Intellect in Film and Television contains 13 essays about the portrayal of women’s intelligence in two of the most popular entertainment mediums: movies and TV. The book, edited by Laura Mattoon D’Amore, does a reasonable job of collecting numerous interesting and easy-to-read essays. The scope ranges from one about female intellectual images in film noir to another which discusses how Hollywood stereotypes blended with reality for actress Judy Holliday. It should be pointed out though that this book should not be considered comprehensive but rather a somewhat focused compilation. For example, four of the essays address specific movies, film genres, or actresses from the 1950s. Six of the essays discuss either specific television shows or TV actresses from the last 10 years or so. While Smart Chicks on Screen may not have a wide diversity of essays in terms of eras (such as 1960s television or 1970s film) what does make this book unique is its focus on women’s intellect in recent television. Currently, there are not many books that talk about these issues related to recent television shows such as Mad Men, Big Bang Theory, and Girls. This edited book is recommended for academic libraries especially ones with programs in gender studies, women’s studies, or film studies.
— American Reference Books Annual
This anthology is likely to appeal to psychologists who teach gender courses and especially those with a media focus. It powerfully describes the edgy and precarious cultural image of the brainy female, and as such, this collection will serve as a lively counterpoint to the substantial psychological literature on body objectification. It will also literally open up to view a whole new way that gender culturally reproduces itself on big and little screens.
— PsycCRITIQUES
Taken individually, these essays are quite interesting. They all analyze outstanding female characters that fight against stereotypes of women in general, as well as on the small screen, where physical appearance often takes precedence over intellectual capacity. (Translated from French)
— Communication