Rowman & Littlefield Publishers
Pages: 212
•
Trim: 6¼ x 9½
978-1-4422-5778-8 • Hardback • March 2016 • $116.00 • (£89.00)
978-1-4422-5779-5 • Paperback • March 2016 • $50.00 • (£38.00)
978-1-4422-5780-1 • eBook • March 2016 • $47.50 • (£37.00)
Michael J. Pagliaro has served as professor of instrumental music and musical instrument technology. He is founder and CEO emeritus-in-counsel of Ardsley Musical Instrument Service, Ltd., director of research and development for Contemporary Music Laboratories, and author of Everything You Should Know about Musical Instruments (1992), The Violin: How It Works (2002), The Flute: How It Works (2003), The Violin Workbook (2004), The Musical Instrument DeskReference (2012), The String Instrument Owner’s Handbook (2015), and The Brass Instrument Owner’s Handbook (forthcoming 2016).
Chapter 1: An Overview of the History of Music
Chapter 2: Sound Production
Chapter 3: Non-fretted String Instruments Defined
Chapter 4: The History of Non-fretted String Instruments
Chapter 5: How Non-fretted Instruments Work
Chapter 6: Brass Instruments Defined
Chapter 7: The History of Brass Instruments
Chapter 8: How Brass Instruments Work
Chapter 9: Woodwind Instruments Defined
Chapter 10: The History of Woodwind Instruments
Chapter 11: How Woodwind Instrument Work
Chapter 12: Percussion Instruments Defined
Chapter 13: The History of Percussion Instruments
Chapter 14: How Percussion Instruments Work
Chapter 15: Form in Music
Chapter 16: Music Theory
Chapter 17: Ensembles
Chapter 18: Anatomy of an Opera
Chapter 19: The Role of the Conductor
Instrumentalists’ first musical experiences are generally limited to intensive study of their instrument of choice. Pagliaro introduces the broader realm of music, beginning with music history and sound production (chapters 1 and 2). He devotes the next 12 chapters to four families of band and orchestra instruments—non-fretted strings, brass, woodwind, and percussion. For each group, Pagliaro explores the various instruments’ characteristics and history and explains how they work. He concludes by returning to music fundamentals—in chapters devoted to form, basic music theory, and types of ensembles—and discussing opera and the role of the conductor. The volume includes numerous glossaries with brief definitions of key terms as well as recommendations of websites and books for further study…. [T]his is a practical, well-researched…guide that will be valuable to instrumental music majors, amateurs, and music teachers.
Summing Up: Recommended. Lower- and upper-division undergraduates, teachers, and general readers.
— Choice Reviews
The book offers itself as a strong reference guide for the general music educator, a foundational resource for a music student or a resource for the motivated music enthusiast. Encompassing a variety of must-know topics, this book presents subjects in a 21st-century manner, while acknowledging the academic needs of the reader.
— American Music Teacher
Chapter glossaries provide in depth subject-specific reference for readers.