Rowman & Littlefield Publishers
Pages: 282
•
Trim: 6¼ x 9¼
978-1-4422-5353-7 • Hardback • July 2015 • $111.00 • (£85.00)
978-1-4422-5354-4 • eBook • July 2015 • $105.50 • (£82.00)
Karen A. Ritzenhoff is professor in the Department of Communication at Central Connecticut State University. Ritzenhoff is the coeditor of Heroism and Gender in War Films (2014) with Jakub Kazecki; Border Visions: Diaspora and Identity in Film (2013) with Jakub Kazecki and Cynthia J. Miller; Screening the Dark Side of Love: From Euro- Horror to American Cinema (2012) with Karen Randell; and Sex and Sexuality in a Feminist World (2009) with Katherine Hermes. In 2011, she also coedited a special media journal, Augenblick: Images of the Iraq War (with Angela Krewani).
Catriona McAvoy is a filmmaker based in London. She runs a digital onset and lab services company, First-Light.tv. She wrote a chapter in the book Stanley Kubrick: New Perspectives (2015) and interviews with cast and crew in Studies in the Horror Film: The Shining Vol. 1 & 2 (2015), as well as an article in the forthcoming “Kubrick and Adaptation” special issue in the journal Adaptation (2015).
Acknowledgments
Preface: Deborah Jermyn
IntroductionKaren A. Ritzenhoff and Catriona McAvoy
Chapter 1: The Sexual Economy and the New Woman: Images of Prostitution in Weimar Cinema
Tom Saunders
Chapter 2: Early representations of female prostitution in Pandora’s Box (1929)
Clémentine Tholas-Disset
Chapter 3: How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley’s Gold Diggers Films
Tiel Lundy
Chapter 4: “Birdie, don’t I get something for my dollar?” The “Tutor-Code” of Sex Trade in the Golden Age of Television Westerns
Gaylyn Studlar
Chapter 5: Economics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War Films
Amanda Boczar
Chapter 6: She Wolves: The Monstrous Women of Nazisploitation Cinema
Brian E. Crim
Chapter 7: Delicate Reports: Prostitution in Sergio Martino’s mondo film Wages of Sin (Mille peccati…nessuna virtù, 1969)
Andreas Ehrenreich
Chapter 8: Cha Ching!: Getting Paid in Breakfast at Tiffany’s and Showtime’s Gigolos
Janet Robinson
Chapter 9: Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen’s Shame (2011) and Stanley Kubrick’s Eyes Wide Shut (1999)
Catriona McAvoy and Karen A. Ritzenhoff
Chapter 10: “They’re Selling an Image:” “Hookers Cut to Look Like Movie Stars” in L.A. Confidential (1997)
Rochelle Sara Miller
Chapter 11: Selling Sex, along with everything else: “Darla” as Mark(et)ed Woman in Joss Whedon’s Buffy, the Vampire Slayer
Wendy Sterba
Chapter 12: What Happens to the Money Shot? Why Zombie Porn Can’t Get the Audience to Bite
James J. Ward
Index
About the Editors and Contributors
Elusive and beguiling, the image of the woman whose body may be bought has permeated film culture since the silent era. Selling Sex on Screen, in a rich collection of penetrating studies, demonstrates how pervasive the motif is and how diverse its manifestations within the motion picture and television industries of evolving capitalist societies.
— Russell Campbell, author of Marked Women: Prostitutes and Prostitution in the Cinema
Selling Sex on Screen: From Weimar Cinema to Zombie Porn gathers together a range of fascinating essays that deal in various ways with the buying and selling of sex on screen. Contributors to this highly engaging collection give us fresh and timely insights about the representation of sex and sexuality, making crucial connections between these screen representations and wider historical, social and political issues and debates about power, gender, consumerism and status, making this a must read for anyone interested in the politics of the media.
— Dr. Claire Hines, Senior Lecturer, Southampton Solent University
Given cinema’s persistent need to tame, ridicule, and marginalize more intense expressions of female sexuality, Selling Sex on Screen compels us to question the clichés of redemption attached to prostitution. Ritzenhoff and McAvoy’s collection of essays is compelling—tapping into the shadows of sexual agency to explore how the lived experience and its representation on screen both overlap and create a sense of discord. This is a terrific read for anyone interested in the complexities of unapologetic female characters and the men who struggle to accept their autonomy.
— Dr. Terrie Waddell, author of Eavesdropping: The Psychotherapist in Film and Television (2014)
From Weimar-era street films to zombie porn, this fascinating, provocative, and highly readable volume tracks a neglected figure in film and TV studies: the “marked” woman. Surveying streetwalkers, saloon girls, sex addicts, and strippers, the essays collected by Ritzenhoff and McAvoy chart with nuance and precision the shifting intersections between sex, money, gender, and power on screen in a variety of cultural contexts. Selling Sex on Screen is guaranteed to get readers thinking about the “world’s oldest profession” in new ways, and to put familiar movies and television programs in a fresh and surprising light.
— Ian Olney, York College and author of Zombie Cinema