Rowman & Littlefield Publishers
Pages: 270
•
Trim: 7 x 9¼
978-0-8108-8861-6 • Hardback • April 2014 • $77.00 • (£59.00)
978-1-4422-4536-5 • Paperback • July 2015 • $34.00 • (£25.00)
978-0-8108-8862-3 • eBook • April 2014 • $32.00 • (£25.00)
When not performing with We Five, the 1960s folk-rock group that bridged the gulf between Peter, Paul & Mary and The Jefferson Airplane, Jerry Burgan and his wife, Debbie, appear in Folk Songs & Stories, a show built on the Americana that shaped him, blended with anecdotes about how the music of the past evolved into the forms we know today. His first solo CD, Jerry Burgan: Reflections, Songs & Stories, on the Global Recording Artists label, is based on material from his show. Jerry is available for classroom and community appearances and may be contacted through the website www.woundstobind.com.
Alan Rifkin is a former contributing editor to Details and L.A. Weekly and has written for The Los Angeles Times, Premiere, The San Francisco Bay Guardian and Black Clock. His short-story collection, Signal Hill (City Lights), was a finalist for the Southern California Booksellers Award in Fiction. He teaches creative writing at California State University, Long Beach.
Foreword by Sylvia Tyson
Acknowledgments
Part One
Chapter 1: Foreshocks
Chapter 2: 1965: When Folk Met Rock
Chapter 3: 1956: Kids with Guitars
Chapter 4: The First Time Ever
Chapter 5: If You’re Going to San Francisco
Chapter 6: Convergence
Chapter 7: When I Woke Up This Morning
Part Two
Chapter 8: Awe and Shock
Chapter 9: Trouble Every Day
Chapter 10: Appalachian Thanksgiving
Chapter 11: The Lonely Crowd
Chapter 12: Ad after Ad after Ad
Chapter 13: C’mon People Now
Part Three
Chapter 14: The Sorcerer’s Apprentice
Chapter 15: Jackpot, Nevada
Chapter 16: Long Time Gone
Chapter 17: Wounds Not Bound
Chapter 18: Funeral for a Friend
Chapter 19: Folk Songs and Stories
Permissions
About the Authors
Folksinger Burgan, with assistance from Rifkin, recounts his life as a founding member of the San Francisco electro-folk band We Five ('You Were on My Mind'). This memoir brings together his experiences at a time, the 1960s and 1970s, when the folk and rock music cultures were undeniably going through a transformation. Regardless of your prior knowledge of music or desire to read explicitly about We Five, this book tactfully delves much deeper than band history. It integrates stories of growth and maturity of a group of musicians from teens through adulthood with tales of drugs, religion, relationships, love, and discrimination as seen through Burgan’s eyes. The final chapters include recent updates on the band and its members; for several it was the final days of life among longtime friends. VERDICT This excellent, well-written chronicle of the folk-rock revolution from an active band member of that time will be enjoyed by general readers and fans of music memoirs.
— Library Journal
An intimate portrait of a boyhood friendship ripening into rivalry and then redemption. . . .The vivid profile of cultural maven [Frank] Werber may alone be justification for the book. . . .Burgan treats each [of his bandmates] with unfailing tenderness and perception.
— The San Francisco Examiner
Over these beautifully written pages, we track the history of We Five as the group converged on the 1960s California folk-rock scene, burst to national prominence with its first hit (the phrase 'wounds to bind' comes from 'Mind's' lyrics) and then disintegrated rapidly as inexperience, trends and haphazard management took their toll. . . .We Five, in [Jerry Burgan's] estimation, was once 'in a leading position to redraw the rules of both folk and rock,' and critics may debate whether that's truth or just ecstatic hype. But then, why not be ecstatic about it? Here in the suit-yourself 2010s, when Facebook has trumped balladeering as a tool of social change and the very notion of a song becoming an anthem feels quaint, it's intoxicating to imagine a time when a single's debut would gather spellbound listeners around a radio. Burgan, and others of his generation, emerged from the 1960s with plenty of wounds. Maybe time doesn't always heal them. But sometimes, an up-tempo tune can make them smart a little less.
— Daily Pilot
It might seem a stretch for a member of a one-hit wonder (We Five, who did “You Were On My Mind”) to carry a 200-page autobiography – especially when Mike Stewart, brother of the Kingston Trio’s John Stewart, was the group’s visionary, not the author. But...Burgan['s]...observations regarding the birth of folkrock are illuminating.
— Vintage Guitar
For those of us who grew up with the magical music of the 60s, this book is riveting and revelatory. It’s a rare opportunity to really get inside the experience of being in a million-selling band. Jerry Burgan co-founded We Five and he tells the group’s story in fascinating detail - all of the exhilaration, all of the pain. Burgas left Southern California an innocent and launched the band in the Bay Area, where he had to grow up fast. It was the era of drugs, racial unrest and the Vietnam War. And then there was the murky maze of the music business. Burgan was teamed with the group’s tortured, creative genius, Mike Stewart, who was trying to climb out of the shadow of his brother John Stewart, a member of the legendary Kingston Trio. The musically adventurous We Five was managed by the Trio’s overseer, Frank Werber, a larger-than-life figure on the local music scene, a man who wanted desperately to be at the forefront of the pop revolution, but was mired in promotional ideas of the past. We Five was among the first to meld the earnestness of folk with the excitement of rock. With the versatile, vivacious vocals of charismatic Beverly Bivens in the spotlight, the group garnered attention. Bivens paved the way for the female rockers who came after her, such asGrace Slick and Linda Ronstadt. Burgan recounts We Five’s interactions with contemporaries like The Byrds, Mark Lindsay and The Rolling Stones. We Five captured lightning in a bottle with the pioneering, genre-crossing folk-rock masterpiece “You Were On My Mind,” a brilliant reworking of a Sylvia Tyson tune. But matching that commercial success again proved to be an impossible task. That makes for a major test of perseverance and dedication to the craft. When fame and fortune are fleeting, does music remain the focal point of these artists’ lives? We Five’s original clean-cut image was supplanted by something more experimental, even psychedelic, but not everyone one the outside was accepting. Stewart and Bivens, if there were any justice, would be viewed as music icons today. Instead, they’re footnotes in pop history. Burgan had to cope with the band’s mind-blowing, warp speed takeoff, followed by a perplexing fade. And maybe it’s only love and marriage that saved him from becoming a rock casualty. He tells We Five’s tale in a touching, thought-provoking, very personal style. He starts his narrative in the 60s, but Burgan soon takes us into timeless territory.
— Pop Culture Classics