Rowman & Littlefield Publishers
Pages: 238
Trim: 6½ x 9½
978-1-4422-3299-0 • Hardback • February 2015 • $62.00 • (£48.00)
978-1-4422-3300-3 • eBook • February 2015 • $58.50 • (£45.00)
David Schroeder is professor emeritus at Dalhousie University in Halifax, Nova Scotia, Canada, and he holds a doctorate from Cambridge University. He is the author of major studies on Haydn, Mozart, Schubert, film music, and opera. His most recent work is Experiencing Mozart: A Listener's Companion (Scarecrow Press 2013).
Series Editor’s Foreword
Introduction
List of Abbreviations
Timeline
Chapter 1: Symphonic Poems, Shakespeare, and Music with Meaning
Chapter 2: A Little Help from my Friends: Concertos
Chapter 3: For the Love of Mozart: Chamber Music, Suites, and Serenades
Chapter 4: Ballet’s New Way: Swan Lake
Chapter 5: Pushkin’s Gentle Mockery, Tchaikovsky’s Immoderate Ardor: Eugene Onegin
Chapter 6: Symphony as Opera
Chapter 7: Sorcery, Caprice, Blindness, Saints, and Stacked Decks: More Operas
Chapter 8: Two Fairytale Ballets
Chapter 9: Above and Beyond: From His Death to the Present
Glossary
Selected Reading
Selected Listening
Index
About the Author
While this book makes no claims to be a scholarly study or a biography, it strikes me that Schroeder has read widely in the essential biographical material and has thought hard about what to listen for in the pieces he has chosen to deal with in some depth. . . .His approach to doing this is that 'it’s more useful to look at a few works in detail than to consider a large number superficially.' I think this is a good strategy, especially as he tries to show certain essential characteristics of Tchaikovsky’s compositional approach, which can then be useful in considering his other music. . . .[T]his book is well written, even occasionally trendy (Star Wars makes an appearance).
— Fanfare Magazine