The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel, Second Edition

J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals.

The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided:

Title
Author
Theatre
Performers
Personnel
Opening and Closing Dates
Number of Performances

Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production.

Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics.

A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Rowman & Littlefield Publishers

Pages: 1134 • Trim: 9 x 11¼

978-0-8108-9303-0 • Hardback • May 2014 • $293.00 • (£227.00)

978-0-8108-9304-7 • eBook • May 2014 • $278.00 • (£215.00)

Series: The London Stage

Subjects: Performing Arts / Theater / History & Criticism, Performing Arts / Reference

The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel, Second Edition

Hardback

eBook

Summary

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals.

The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided:
1. Title
2. Author
3. Theatre
4. Performers
5. Personnel
6. Opening and Closing Dates
7. Number of Performances
Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production.

Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics.

A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Details

Rowman & Littlefield Publishers

Pages: 1134 • Trim: 9 x 11¼

978-0-8108-9303-0 • Hardback • May 2014 • $293.00 • (£227.00)

978-0-8108-9304-7 • eBook • May 2014 • $278.00 • (£215.00)

Series: The London Stage

Subjects: Performing Arts / Theater / History & Criticism, Performing Arts / Reference

Author

J. P. Wearing is professor emeritus of English at the University of Arizona and an internationally renowned theatre historian. He is the author of several books, notably volumes on the London stage including American and British Theatrical Biographies, An Index (2012), published by Scarecrow Press.

Table of Contents

Preface to the Second Edition
Introduction
Acknowledgments
Abbreviations
References

Chapter 1: Productions 1930
Chapter 2: Productions 1931
Chapter 3: Productions 1932
Chapter 4: Productions 1933
Chapter 5: Productions 1934
Chapter 6: Productions 1935
Chapter 7: Productions 1936
Chapter 8: Productions 1937
Chapter 9: Productions 1938
Chapter 10: Productions 1939

Appendix
Title Index
Genre Index
Theatre Index
General Index
About the Author

Reviews

Opening a new or revised reference work is like opening an unearthed treasure. You never know what’s inside, but you know the baubles will bedazzle. The London Stage does not disappoint. Herewith each volume covers over 4,000 productions at more than three score theaters in the Bard’s hometown, so to speak. The tome—and it is a doorstopper weighing in at about seven pounds—provides first night details of plays over a decade, with one volume covering 1920-1929 and the second covering 1930-1939. Productions are arranged chronologically followed by the title of the work, genre, author, theater length of run, male and female cast members, production staff, plot précis, bibliography of reviews, and comment. The last ranges from what a reviewer might have thought, audience reception, and the like. Wearing gleaned the information from over a dozen specialized theater reviewing media, newspapers, nearly a dozen libraries and or archives, ranging from The British Library to Theatre Collection of Bristol University, and a half dozen specialized reference sources (e.g., Grove’s Who’s Who in Theatre).In other words, there may not be more comprehensive guides available. These works are a must-have for theater departments, and really any library interested in play productions.
— American Reference Books Annual