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Sámi Musical Performance and the Politics of Indigeneity in Northern Europe

Thomas Hilder

The Sámi are Europe’s only recognized indigenous people living across regions of Norway, Sweden, Finland and the Russian Kola peninsula. The subjects of a history of Christianization, land dispossession, and cultural assimilation, the Sámi have through their self-organization since World War II worked towards Sámi political self-determination across the Nordic states and helped forge a global indigenous community. Accompanying this process was the emergence of a Sámi music scene, in which the revival of the distinct and formerly suppressed unaccompanied vocal tradition of joik was central. Through joiking with instrumental accompaniment, incorporating joik into forms of popular music, performing on stage and releasing recordings, Sámi musicians have played a key role in articulating a Sámi identity, strengthening Sámi languages, and reviving a nature-based cosmology.

Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity. Based on extensive ethnographic research, Hilder provides portraits of numerous Sámi musicians, studies the significance of Sámi festivals, analyzes the emergence of a Sámi recording industry, and examines musical projects and cultural institutions that have sought to strengthen the transmission of Sámi music. Through his engaging narrative, Hilder discusses a wide range of issues—revival, sovereignty, time, environment, repatriation and cosmopolitanism—to highlight the myriad ways in which Sámi musical performance helps shape notions of national belonging, transnational activism, and processes of democracy in the Nordic peninsula.

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe will not only appeal to enthusiasts of Nordic music, but, by drawing on current interdisciplinary debates, will also speak to a wider audience interested in the interplay of music and politics. Unearthing the challenges, contradictions and potentials presented by international indigenous politics, Hilder demonstrates the significance of this unique musical scene for the wider cultural and political transformations in twenty-first-century Europe and global modernity.

Rowman & Littlefield Publishers

Pages: 262 • Trim: 6½ x 9½

978-0-8108-8895-1 • Hardback • October 2014 • $131.00 • (£101.00)

978-0-8108-8896-8 • eBook • October 2014 • $124.50 • (£96.00)

Series: Europea: Ethnomusicologies and Modernities

Subjects: Music / EthnoMusicology, History / Europe / Scandinavia, Travel / Europe / Scandinavia (Finland, Norway, Sweden)

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe

Hardback

eBook

Summary

The Sámi are Europe’s only recognized indigenous people living across regions of Norway, Sweden, Finland and the Russian Kola peninsula. The subjects of a history of Christianization, land dispossession, and cultural assimilation, the Sámi have through their self-organization since World War II worked towards Sámi political self-determination across the Nordic states and helped forge a global indigenous community. Accompanying this process was the emergence of a Sámi music scene, in which the revival of the distinct and formerly suppressed unaccompanied vocal tradition of joik was central. Through joiking with instrumental accompaniment, incorporating joik into forms of popular music, performing on stage and releasing recordings, Sámi musicians have played a key role in articulating a Sámi identity, strengthening Sámi languages, and reviving a nature-based cosmology.

Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity. Based on extensive ethnographic research, Hilder provides portraits of numerous Sámi musicians, studies the significance of Sámi festivals, analyzes the emergence of a Sámi recording industry, and examines musical projects and cultural institutions that have sought to strengthen the transmission of Sámi music. Through his engaging narrative, Hilder discusses a wide range of issues—revival, sovereignty, time, environment, repatriation and cosmopolitanism—to highlight the myriad ways in which Sámi musical performance helps shape notions of national belonging, transnational activism, and processes of democracy in the Nordic peninsula.

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe will not only appeal to enthusiasts of Nordic music, but, by drawing on current interdisciplinary debates, will also speak to a wider audience interested in the interplay of music and politics. Unearthing the challenges, contradictions and potentials presented by international indigenous politics, Hilder demonstrates the significance of this unique musical scene for the wider cultural and political transformations in twenty-first-century Europe and global modernity.

Details

Rowman & Littlefield Publishers

Pages: 262 • Trim: 6½ x 9½

978-0-8108-8895-1 • Hardback • October 2014 • $131.00 • (£101.00)

978-0-8108-8896-8 • eBook • October 2014 • $124.50 • (£96.00)

Series: Europea: Ethnomusicologies and Modernities

Subjects: Music / EthnoMusicology, History / Europe / Scandinavia, Travel / Europe / Scandinavia (Finland, Norway, Sweden)

Author

Thomas Hilder is an ethnomusicologist with a focus on music of the Nordic countries and a special interest in the politics of transnationalism, postcolonialism, and gender. His research on the Sámi has been published in Ethnomusicology Forum, and he is lead editor of the forthcoming book Music, Indigeneity, Digital Media. He currently works as a postdoctoral researcher at the Center for World Music, University of Hildesheim, Germany.

Table of Contents

Acknowledgments
Chapter 1: Sámi Musical Performance: An Introduction
Chapter 2: Performing Sápmi
Chapter 3: Reconceptualizing Time
Chapter 4: Voicing Nature
Chapter 5: Transmitting Culture
Chapter 6: Aspiring Cosmopolitanism
Epilogue
Glossary
Notes
Bibliography
Index

Reviews

Thomas R. Hidler provides a critical analysis of the political, cultural, and social transformations in the non-Western, Nordic, Sámi indigenous community. . . .This book is well-written and organized cohesively, as one chapter leads seamlessly into another. It will be a valuable addition to the fields of European studies, ethnomusicology, and identity studies.
— Journal of Folklore Research

This fundamental book, rich in information, insight, and interpretation, is long overdue. . . .This study is written with respect: it is based on long-term engagement with Sámi musicians and music events, learning appropriate languages, and listening carefully to contemporary Sámi concerns. Hilder’s book is a must for those studying the Sámi. It is also insightful reading for those interested in the politics of indigeneity and music.
— Yearbook for Traditional Music

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe

Thomas Hilder

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe

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