R&L Logo R&L Logo
  • GENERAL
    • Browse by Subjects
    • New Releases
    • Coming Soon
    • Chases's Calendar
  • ACADEMIC
    • Textbooks
    • Browse by Course
    • Instructor's Copies
    • Monographs & Research
    • Reference
  • PROFESSIONAL
    • Education
    • Intelligence & Security
    • Library Services
    • Business & Leadership
    • Museum Studies
    • Music
    • Pastoral Resources
    • Psychotherapy
  • FREUD SET
Cover Image
Hardback
eBook
share of facebook share on twitter
Add to GoodReads

Becoming an Ethnomusicologist

A Miscellany of Influences

Bruno Nettl

Becoming an Ethnomusicologist centers on the life and education of the author, Bruno Nettl, a well-known ethnomusicologist. Focusing on eleven individuals who influenced him significantly, it follows their roles through his career from his childhood in Czechoslovakia and his family's forced departure in 1939 to his education in the United States and career as a scholar. These essays contribute to an understanding of the life of Jewish and German minorities in Bohemia through the first half of the 20th century, of pre-World War II Prague, of the experience of intellectual and academic refugees in the United States during and after World War II, and of the early development of ethnomusicology as a field of study.

This work opens with the author's exploration of the careers of his father, the well-known music historian Paul Nettl, and his mother, Gertrud Nettl, a pianist and piano teacher. From his boyhood in Prague, Nettl provides insights into his own evolution as a musicologist.He discusses the rise of the discipline of ethnomusicology, from the studies of Native American music by his mentor George Herzog to the work of linguist C. F. Voegelin and folklorist Stith Thompson.He also looks back on the contribution and input of his principal consultants in his fieldwork on Native American, Iranian, and Indian music.

These essays contribute significantly to the history of musicology, containing the longest--to date--treatments of the contributions of the distinguished scholars Paul Nettl and George Herzog. This work will interest students and scholars of immigration history, Native American culture, and the history of ethnomusicology itself.
  • Details
  • Details
  • Author
  • Author
  • Reviews
  • Reviews
Scarecrow Press
Pages: 240 • Trim: 6½ x 9¼
978-0-8108-8697-1 • Hardback • April 2013 • $119.00 • (£92.00)
978-0-8108-8698-8 • eBook • April 2013 • $113.00 • (£87.00)
Series: Europea: Ethnomusicologies and Modernities
Subjects: Music / EthnoMusicology, Biography & Autobiography / Educators
Bruno Nettl was born in Prague in 1930, immigrated to the United States with his parents in 1939, grew up in Princeton, NJ, and received most of his highe education at Indiana University. An ethnomusicologist, he carried out reserach with Native Americna peoples, in Iran, and in India. He is the author of several books, the best known being The Study of Ethnomusicology: 31 Issues and Concepts (2005), and Nettl's Elephant: On The History of Ethnomusicology (2010). He has spent most of his career teaching at the University of Illinois, where he is now professor emeritus of music and anthropology.
Among the highlights of Becoming an Ethnomusicologist are its evocative accounts of pre-World War II Prague, postwar Bloomington, and the international network of comparative musicologists, anthropologists, and folklorists engaged in research on forms of traditional music during the first half of the twentieth century. This network provided a foundation for the institutionalization and growth of North American ethnomusicology after 1950 and was the milieu for the development of Nettl’s own distinguished career. ... In this wonderful book, we learn not only about the substantial impact of European scholars on ethnomusicology in the U.S. but also how musicians and researchers throughout the world have collectively constructed this field of knowledge. At the same time, we gain many insights on the life and work of Nettl himself, who has done so much to build this field over the past half-century through his many publications, teaching at the University of Illinois, and service to the Society for Ethnomusicology and other organizations. This book is highly recommended to practitioners of ethnomusicology, historical musicology, folkloristics, linguistics, and anthropology—all fields that have been embraced and synthesized by Nettl in his exceptional career.
— Journal of Folklore Research


Becoming an Ethnomusicologist

A Miscellany of Influences

Cover Image
Hardback
eBook
Summary
Summary
  • Becoming an Ethnomusicologist centers on the life and education of the author, Bruno Nettl, a well-known ethnomusicologist. Focusing on eleven individuals who influenced him significantly, it follows their roles through his career from his childhood in Czechoslovakia and his family's forced departure in 1939 to his education in the United States and career as a scholar. These essays contribute to an understanding of the life of Jewish and German minorities in Bohemia through the first half of the 20th century, of pre-World War II Prague, of the experience of intellectual and academic refugees in the United States during and after World War II, and of the early development of ethnomusicology as a field of study.

    This work opens with the author's exploration of the careers of his father, the well-known music historian Paul Nettl, and his mother, Gertrud Nettl, a pianist and piano teacher. From his boyhood in Prague, Nettl provides insights into his own evolution as a musicologist.He discusses the rise of the discipline of ethnomusicology, from the studies of Native American music by his mentor George Herzog to the work of linguist C. F. Voegelin and folklorist Stith Thompson.He also looks back on the contribution and input of his principal consultants in his fieldwork on Native American, Iranian, and Indian music.

    These essays contribute significantly to the history of musicology, containing the longest--to date--treatments of the contributions of the distinguished scholars Paul Nettl and George Herzog. This work will interest students and scholars of immigration history, Native American culture, and the history of ethnomusicology itself.
Details
Details
  • Scarecrow Press
    Pages: 240 • Trim: 6½ x 9¼
    978-0-8108-8697-1 • Hardback • April 2013 • $119.00 • (£92.00)
    978-0-8108-8698-8 • eBook • April 2013 • $113.00 • (£87.00)
    Series: Europea: Ethnomusicologies and Modernities
    Subjects: Music / EthnoMusicology, Biography & Autobiography / Educators
Author
Author
  • Bruno Nettl was born in Prague in 1930, immigrated to the United States with his parents in 1939, grew up in Princeton, NJ, and received most of his highe education at Indiana University. An ethnomusicologist, he carried out reserach with Native Americna peoples, in Iran, and in India. He is the author of several books, the best known being The Study of Ethnomusicology: 31 Issues and Concepts (2005), and Nettl's Elephant: On The History of Ethnomusicology (2010). He has spent most of his career teaching at the University of Illinois, where he is now professor emeritus of music and anthropology.
Reviews
Reviews
  • Among the highlights of Becoming an Ethnomusicologist are its evocative accounts of pre-World War II Prague, postwar Bloomington, and the international network of comparative musicologists, anthropologists, and folklorists engaged in research on forms of traditional music during the first half of the twentieth century. This network provided a foundation for the institutionalization and growth of North American ethnomusicology after 1950 and was the milieu for the development of Nettl’s own distinguished career. ... In this wonderful book, we learn not only about the substantial impact of European scholars on ethnomusicology in the U.S. but also how musicians and researchers throughout the world have collectively constructed this field of knowledge. At the same time, we gain many insights on the life and work of Nettl himself, who has done so much to build this field over the past half-century through his many publications, teaching at the University of Illinois, and service to the Society for Ethnomusicology and other organizations. This book is highly recommended to practitioners of ethnomusicology, historical musicology, folkloristics, linguistics, and anthropology—all fields that have been embraced and synthesized by Nettl in his exceptional career.
    — Journal of Folklore Research


ALSO AVAILABLE

  • Cover image for the book An Ethnomusicologist’s Last Lecture: Music and Globalism, Philosophy and Religion
  • Cover image for the book Ethnomusicology and Cultural Diplomacy
  • Cover image for the book The Effects of Inuit Drum Dancing on Psychosocial Well-Being and Resilience: Productivity and Cultural Competence in an Inuit Settlement
  • Cover image for the book Activism through Music during the Apartheid Era and Beyond: When Voices Meet
  • Cover image for the book The Duduk and National Identity in Armenia
  • Cover image for the book Theory and Method in Historical Ethnomusicology
  • Cover image for the book The Latin American Art Song: Sounds of the Imagined Nations
  • Cover image for the book The New (Ethno)musicologies
  • Cover image for the book Sámi Musical Performance and the Politics of Indigeneity in Northern Europe
  • Cover image for the book Kat'a Kabanova: Translations and Pronunciation, Volume 2
  • Cover image for the book Empire of Song: Europe and Nation in the Eurovision Song Contest
  • Cover image for the book Revival and Reconciliation: Sacred Music in the Making of European Modernity
  • Cover image for the book Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement
  • Cover image for the book The Past Is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos
  • Cover image for the book Music in Puerto Rico: A Reader's Anthology
  • Cover image for the book Musical Exodus: Al-Andalus and Its Jewish Diasporas
  • Cover image for the book Transported by Song: Corsican Voices from Oral Tradition to World Stage
  • Cover image for the book Manele in Romania: Cultural Expression and Social Meaning in Balkan Popular Music
  • Cover image for the book Tin Pan Alley and the Philippines: American Songs of War And Love, 1898-1946, A Resource Guide
  • Cover image for the book Neapolitan Postcards: The Canzone Napoletana as Transnational Subject
  • Cover image for the book Celtic Modern: Music at the Global Fringe
  • Cover image for the book Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond
  • Cover image for the book The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences
  • Cover image for the book Song and Social Change in Latin America
  • Cover image for the book Ethnomusicologizing: Essays on Music in the New Paradigms
  • Cover image for the book Ma'luf: Reflections on the Arab Andalusian Music of Tunisia
  • Cover image for the book Postmodernism and Globalization in Ethnomusicology: An Epistemological Problem
  • Cover image for the book Music and Coexistence: A Journey across the World in Search of Musicians Making a Difference
  • Cover image for the book Song, Struggle, and Solidarity: The New York City Labor Chorus in Its Twenty-fifth Year
  • Cover image for the book Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse
  • Cover image for the book An Ethnomusicologist’s Last Lecture: Music and Globalism, Philosophy and Religion
  • Cover image for the book Ethnomusicology and Cultural Diplomacy
  • Cover image for the book The Effects of Inuit Drum Dancing on Psychosocial Well-Being and Resilience: Productivity and Cultural Competence in an Inuit Settlement
  • Cover image for the book Activism through Music during the Apartheid Era and Beyond: When Voices Meet
  • Cover image for the book The Duduk and National Identity in Armenia
  • Cover image for the book Theory and Method in Historical Ethnomusicology
  • Cover image for the book The Latin American Art Song: Sounds of the Imagined Nations
  • Cover image for the book The New (Ethno)musicologies
  • Cover image for the book Sámi Musical Performance and the Politics of Indigeneity in Northern Europe
  • Cover image for the book Kat'a Kabanova: Translations and Pronunciation, Volume 2
  • Cover image for the book Empire of Song: Europe and Nation in the Eurovision Song Contest
  • Cover image for the book Revival and Reconciliation: Sacred Music in the Making of European Modernity
  • Cover image for the book Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement
  • Cover image for the book The Past Is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos
  • Cover image for the book Music in Puerto Rico: A Reader's Anthology
  • Cover image for the book Musical Exodus: Al-Andalus and Its Jewish Diasporas
  • Cover image for the book Transported by Song: Corsican Voices from Oral Tradition to World Stage
  • Cover image for the book Manele in Romania: Cultural Expression and Social Meaning in Balkan Popular Music
  • Cover image for the book Tin Pan Alley and the Philippines: American Songs of War And Love, 1898-1946, A Resource Guide
  • Cover image for the book Neapolitan Postcards: The Canzone Napoletana as Transnational Subject
  • Cover image for the book Celtic Modern: Music at the Global Fringe
  • Cover image for the book Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond
  • Cover image for the book The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences
  • Cover image for the book Song and Social Change in Latin America
  • Cover image for the book Ethnomusicologizing: Essays on Music in the New Paradigms
  • Cover image for the book Ma'luf: Reflections on the Arab Andalusian Music of Tunisia
  • Cover image for the book Postmodernism and Globalization in Ethnomusicology: An Epistemological Problem
  • Cover image for the book Music and Coexistence: A Journey across the World in Search of Musicians Making a Difference
  • Cover image for the book Song, Struggle, and Solidarity: The New York City Labor Chorus in Its Twenty-fifth Year
  • Cover image for the book Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse
facebook icon twitter icon instagram icon linked in icon NEWSLETTERS
ABOUT US
  • Mission Statement
  • Employment
  • Privacy
  • Accessibility Statement
CONTACT
  • Company Directory
  • Publicity and Media Queries
  • Rights and Permissions
  • Textbook Resource Center
AUTHOR RESOURCES
  • Royalty Contact
  • Production Guidelines
  • Manuscript Submissions
ORDERING INFORMATION
  • Rowman & Littlefield
  • National Book Network
  • Ingram Publisher Services UK
  • Special Sales
  • International Sales
  • eBook Partners
  • Digital Catalogs
IMPRINTS
  • Rowman & Littlefield
  • Lexington Books
  • Hamilton Books
  • Applause Books
  • Amadeus Press
  • Backbeat Books
  • Bernan
  • Hal Leonard Books
  • Limelight Editions
  • Co-Publishing Partners
  • Globe Pequot
  • Down East Books
  • Falcon Guides
  • Gooseberry Patch
  • Lyons Press
  • Muddy Boots
  • Pineapple Press
  • TwoDot Books
  • Stackpole Books
PARTNERS
  • American Alliance of Museums
  • American Association for State and Local History
  • Brookings Institution Press
  • Center for Strategic & International Studies
  • Council on Foreign Relations
  • Fairleigh Dickinson University Press
  • Fortress Press
  • The Foundation for Critical Thinking
  • Lehigh University Press
  • United States Holocaust Memorial Museum
  • Other Partners...