Scarecrow Press
Pages: 274
•
Trim: 6 x 9
978-0-8108-8430-4 • Hardback • February 2013 • $56.00 • (£43.00)
978-0-8108-8431-1 • eBook • February 2013 • $53.00 • (£41.00)
Robin Maconie is a composer and musicologist. He is the author of several books on music and philosophy, including Avant Garde: An American Odyssey from Gertrude Stein to Pierre Boulez (Scarecrow, 2012), Musicologia: Musical Knowledge from Plato to John Cage (Scarecrow 2010), and Other Planets: The Music of Karlheinz Stockhausen (Scarecrow, 2005).
Many casual listeners think of Igor Stravinsky as serious, heavy, and hard-to-understand, but readers may be surprised at how much information is provided in this well-researched book on the composer (1882–1971) about such populist subjects as Hollywood and Walt Disney. Here musicologist and composer Maconie (Avant Garde: An American Odyssey from Gertrude Stein to Pierre Boulez) offers an in-depth, well-documented look at all of Stravinsky’s works. (The composer did work closely with Disney on Fantasia and spent years in Hollywood.) Maconie hopes readers will not just listen to but experience the “manufactured” music Stravinsky loved to produce. In fact, the composer relished working with Disney Studios, a film conglomerate that believed animation needed to be choreographed to fit the music, not the reverse. Maconie works hard to place the composer in relation to the world around him. The book includes many quotes from Stravinsky himself, as well as some imagined conversations that keep the text lively. Verdict This accessible book for interested readers features copious footnotes and cited references that make it also a considerable resource for academic study.
— Roger Horrocks, emeritus Head of Film, Television, and Media Studies, University of Auckland, and author of Len Lye: A Biography; Library Journal
Most first-time listeners to The Rite of Spring or The Rake’s Progress feel the need for guidance before they can appreciate just how listener-friendly the music is. Maconie provides this guidance in abundance.
— New Zealand Listener
To bring the experience of music close to readers without the benefit of direct quotation is a difficult art. To say of Robin Maconie’s book on Igor Stravinsky that its words stimulate the reader to go back to the music again and again is to praise it highly. And this is just one of its great strengths….[In this,] the first in a publisher’s series of Listener’s Companions, . . . he focuses his abilities on a composer who is essential to the history of music in the first half of the 20th century…. Every work in the composer’s large oeuvre is discussed, from the acknowledged masterpieces to seeming “minor” yet revealing pieces. Each chapter is introduced with a thoughtful yet often entertaining essay on broader aspects of the book’s subject.
— Nelson Wattie, New Zealand Listener
A subtle, nuanced account of Stravinsky's "mechanical" aesthetic. . . cutting through all the conventional positions in musical politics.
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Experiencing Stravinsky comes intelligently written by a veteran writer and musical polymath. It offers highly informed reflections on the music and aesthetics of a monumentally significant composer. . . .[I]t addresses anyone wanting to listen to Stravinsky’s music, and to heighten their understanding or experience of this extraordinary music. Part of this book’s distinction certainly lies in assuming ordinary, untrained listeners can make sense of the music by thinking of it in relation to broad intellectual backgrounds.
— Notes: Quarterly Journal of the Music Library Association
• Winner, New Zealand Listener's 100 best books for 2013 (2013)