Scarecrow Press
Pages: 278
•
Trim: 6 x 9
978-0-8108-6716-1 • Paperback • March 2009 • $83.00 • (£64.00)
978-1-4617-3173-3 • eBook • March 2009 • $78.50 • (£60.00)
Ann Ommen van der Merwe is Visiting Assistant Professor of Music at Miami University in Oxford, OH. She appeared on stage in the 2000 national tour of Cole Porter's Anything Goes and her research has been published in Studies in Musical Theatre and Music Theory Spectrum.
This fascinating book offers an extensive account of the Ziegfeld Follies, from its first show in 1907 to its final fling almost a quarter of a century later. Ommen's writing is engaging and interesting, and her sharp awareness of the various influences on the Follies shows her knowledge and passion about this captivating series of shows to be unparalleled. This is a unique study of an important contribution to American culture and will provide insightful reading for fans and scholars alike.
— Dominic Symonds, University of Portsmouth, UK; Editor, Studies in Musical Theatre journal
A wonderful and invaluable source book for everyone interested in the Ziegfeld Follies. Ommen van der Merwe's comprehensive discussion of the songs performed and the scenic extravaganzas in which they were performed are supplemented by a detailed discography of original recordings and current reissues, and a very useful list of the songs performed in each of the shows.
— John Graziano, The City College and Graduate Center, City University of New York
There is a new book published in 2009 that will be of interest to people of all ages. Its title is, 'The Ziegfeld Follies,' A History in Song.... Very interesting.... Especially appropriate for libraries both public and school, as well as individual readers.... Written by a lover of music who writes about the music in great detail well organized.... Faithfully recommend this book to the reader without reservation.
— Geary Larrick; The Portage County Gazette
This is an easy-to-read book and will be of great interest to the theatre and 'personality record' collector.
— Steve Ramm; In The Groove
A serviceable survey of all the Broadway productions of the Follies....Her good song index, select discography, and bibliography add to the book's value.
— Choice Reviews
This detailed description of every Ziegfeld Follies production from 1907 to 1931 provides valuable insight into the genre of the revue and its significance. The song listing and discography will surely delight every Follies' fan.
— William Everrett, co-editor of The Cambridge Companion to the Musical
The book's accessibility makes it appealing to several audiences. Among these are fans of the Follies and theatre scholars. As each Follies production aimed at representing—or, frequently, satirizing—its historical milieiu, a study of the numbers in those productions offers excellent insights into the culture that produced them.
— Studies In Musical Theatre
Details such as song titles and costars are found in Ann Ommen van der Merwe's thoroughly researched history of the Ziegfeld Follies....Van der Merwe's work is inarguably an important addition to the literature. The book's organization, the author's excellent use of reviews and other contemporaneous documents, the historical and cultural contextualizations of each Follies, and above all the author's concern with the Follies' developing images of American women all make for an invaluable resource for scholars of the American musical, and the straightforward if sometimes repetitive approach also invites use and enjoyment by general readers. This book, van der Merwe's first, announces the arrival of an important new scholar writing about an era of American musical theater that fortunately is being reclaimed after decades of neglect. Readers can feel confident that the Follies and the age that produced them are in good hands.
— American Music