Scarecrow Press
Pages: 194
Trim: 8¾ x 11
978-0-8108-6213-5 • Paperback • September 2008 • $77.00 • (£59.00)
978-0-8108-6233-3 • eBook • September 2008 • $73.00 • (£56.00)
Timothy A. Johnson is Professor of Music Theory at Ithaca College and Chair of Graduate Studies in Music. He is the author of Baseball and the Music of Charles Ives: A Proving Ground (Scarecrow Press, 2004).
Part 1 Preface
Part 2 Introduction
Chapter 3 1. Spatial Relations and Musical Structures
Chapter 4 2. Interval Patterns and Musical Structures
Chapter 5 3. Triads and Seventh Chords and Their Structures
Part 6 Conclusion
Part 7 For Further Study
Part 8 Notes
Part 9 Sources Cited
Part 10 Index
Not only does Foundations of Diatonic Theory accomplish its stated goals, but it does so in such a masterful way, and with such a refreshing approach, that after reading it, any course on music fundamentals, music and mathematics, or diatonic set theory taught without its perspective would feel incomplete.
— GAMUT: Online Journal of the Music Theory Society of the Mid-Atlantic
Because of its innovative approach, Foundations of Diatonic Theory will come as a breath of fresh air for those who decide to incorporate it into fundamentals courses. It would also provide courses on music and mathematics, and on diatonic set theory, with a way of getting into the material that encourages students to think critically—a most desirable quality in a text, as critical thinking should be demanded of the student by any graduate or upper-division undergraduate course. If Johnson’s Montessori-style approach is contagious among the next generation of textbook authors, the benefits to theory students and instructors alike could be enormous.
— GAMUT: Online Journal of the Music Theory Society of the Mid-Atlantic