Scarecrow Press
Pages: 456
Trim: 6½ x 9⅜
978-0-8108-6144-2 • Hardback /CD-ROM • April 2009 • $137.00 • (£105.00)
978-0-8108-6727-7 • eBook • April 2009 • $130.00 • (£100.00)
Jacques Chuilon has published articles in Opera Quarterly and Opera International, and is the author of Opéra Opinions (1994) and La voix qui chante (1998).
E. Thomas Glasow was an author and opera critic for Opera News and was editor-in-chief of Opera Quarterly from 1998 until his death in 2004. He has translated several titles into English, including Olivier Messaien: Music and Color: Conversations with Claude Samuel (1994), and Daniele Pistone's Nineteenth-Century Italian Opera (1995).
Such an easily-accessible and wide-ranging account of Battistini's and his colleagues' performances of his hitherto almost-unknown life away from the stage, and the background to his recordings is certain to be of great interest to his many admirers....The accompanying CD presents a well-chosen survey of the recordings made over its subject's entire recording career, 1902-1924.
— Michael E. Henstock
Author Chuilon covers Battistini's career in astounding detail....vociferous advocacy of a singing titan is hardly a crime, especially when it is backed up by so much excellent research and knowledgeable commentary by both the author and others.
— Joe Pearce
This book is indispensable for all singers and lovers of the "lost" bel canto tradition. In this biography of one of the consummate masters of singing, Mattia Battistini, Chuilon has lovingly collected every possible piece of information about this "glory of Italy," analyzed it, sorted it, and now in this English version, made it possible for a new generation of opera lovers to understand how this singer was so important to the success of Verdi and Massenet, to Wagner and Saint-Saëns, among so many others. The restored musical excerpts on the enclosed CD, and the thorough analysis of Battistini's vocal technique and career, make it a valuable reference work, and a source of inspiration musically and aesthetically.
— Thomas Hampson, baritone, founder of the Hampsong Foundation, and collaborator on Leonard Bernstein's final Mahler recording
• Winner, Finalist for the 2010 ARSC Award for Excellence_Best Historical Research in Recorded Classical Music