Scarecrow Press
Pages: 350
Trim: 6 x 9
978-0-8108-6046-9 • Hardback • December 2007 • $129.00 • (£99.00)
Jonathan D. Green is a composer, a conductor, and Dean of the College at Sweet Briar College. He is the author of A Conductor's Guide to the Choral-Orchestral Works of J.S. Bach (Scarecrow Press, 2000); A Conductor's Guide to Choral Orchestral Works, Twentieth-Century, volume 1 (Scarecrow Press, 1994) and volume 2 (Scarecrow Press, 1998), and A Conductor's Guide to Choral-Orchestral Works, Classical Period (Scarecrow Press, 2001).
Part 1 Preface
Part 2 The Works
Chapter 3 Beach, Mrs. H. H. A.
Chapter 4 Beethoven, Ludwig van
Chapter 5 Berlioz, Hector
Chapter 6 Brahms, Johannes
Chapter 7 Bruch, Max
Chapter 8 Bruckner, Anton
Chapter 9 Cherubini, Luigi
Chapter 10 Coleridge-Taylor, Samuel
Chapter 11 Delibes, Léo
Chapter 12 Dvorák, Antonin
Chapter 13 Elgar, Edward
Chapter 14 Fauré, Gabriel
Chapter 15 Gounod, Charles François
Chapter 16 Liszt, Franz
Chapter 17 Mendelssohn-Bartholdy, Felix
Chapter 18 Messager, André
Chapter 19 Paine, John Knowles
Chapter 20 Parker, Horatio
Chapter 21 Puccini, Giacomo
Chapter 22 Rimsky-Korsakov, Nikolai
Chapter 23 Rossini, Gioachino
Chapter 24 Saint-Saëns, Camille
Chapter 25 Schubert, Franz
Chapter 26 Schumann, Robert
Chapter 27 Scriabin, Alexander
Chapter 28 Strauss, Richard
Chapter 29 Tchaikovsky, Piotr Ilyich
Chapter 30 Verdi, Giuseppe
Part 31 Appendix: Text Sources
Part 32 About the Author
Green presents useful data on 28 nineteenth-century composers.... This reference source will assist conductors of professional, university, or community choruses.... It can also serve as a basic guide for those researching specific compositions.
— American Reference Books Annual
This new imprint represents another exceptional reference contribution by Jonathan D. Green.... An impressive array of information helpful to conductors in researching and programming concerts.... Green provides such a breadth and thoroughness of information and performance knowledge in this book that it deserves a strong recommendation.
— James Deffenbaugh; Notes: Quarterly Journal of the Music Library Association, March 2009
Green's book is accurate and well organized . . . Green offers the young conductor, amateur, and part-time director the information needed to make informed programming decisions on less-frequently performed works based on the abilities of their ensembles. Additionally, he provides a few cautionary tidbits about difficulties in rehearsal or performance that might head off a few musical catastrophes. For the scholar, Green provides a starting point for the repertoire and its literature. For the librarian, this monograph is a handy reference and an invaluable collection development tool. Ultimately, the greatest value in Green's monographs is the collocation of an entire repertoire within a single unified set.
— Fontes Artis Musicae, Spring 2009
Review of A Conductor's Guide to Choral-Orchestral Works:
There's much detailed information here for the scholarly conductor or note writer - text sources, editions, performance histories and 'performance issues,' bibliographies, and discographies.
— SymphonyNOW
Review of A Conductor's Guide to Choral-Orchestral Works:
The objectives of the book are clearly set out, and Dr. Green covers them meticulously. ... a mine of information for a choral conductor. ... strongly recommended for library shelves.
— The Conductor
Review of A Conductor's Guide to the Choral Orchestral Works of J.S. Bach:
The information presented is extremely useful, clearly and consistently presented. It is easy to read, concise, and serves the purpose of providing a thumbnail sketch of each work...This publication represents an enormous amount of detailed information that saves the choral conductor time in equal proportion. There is no need to consult multiple sources to get complete information about any of the works, and for those seeking further musicological or contextual information, Green provides an excellent bibliography at the end of the book. All choral conductors, whether experienced or novice, should add this book to their libraries as an essential reference tool.
— Choral Journal